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Downloaded from
YTS.MX
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Official YIFY movies site:
YTS.MX
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The great dust of Asia
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recovers the past
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and veils the future.
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{\an8}Okay. Well, now we know, eh.
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{\an8}All civilization is mortal.
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{\an8}- Even movies!
- Especially this movie.
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{\an8}But we can drink to the eye at the party.
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You enchanted me
in Hello sadness.
11
00:02:01,083 --> 00:02:02,791
What a spellbinding performance.
12
00:02:03,291 --> 00:02:05,458
"I live with melancholy"
13
00:02:05,541 --> 00:02:09,208
Don't tell me anything.
You are a director.
14
00:02:09,291 --> 00:02:11,250
Yes, finally, I mean...
15
00:02:11,333 --> 00:02:13,041
- Good evening.
- Good evening.
16
00:02:15,291 --> 00:02:17,416
Your film is disgusting.
17
00:02:17,500 --> 00:02:19,833
Wait. Don't spoil the fun for me.
18
00:02:19,916 --> 00:02:22,625
I want to see your review
when it appears.
19
00:02:24,125 --> 00:02:27,041
It's not so much as The Devil's Pass
is far from being good,
20
00:02:27,125 --> 00:02:29,541
but rather
that it is close to being bad.
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00:02:31,041 --> 00:02:32,833
You are my favorite critic.
22
00:02:32,916 --> 00:02:34,291
So, don't forget.
23
00:02:34,375 --> 00:02:37,375
The best way to review a film,
is to make one.
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Here we are.
25
00:02:39,291 --> 00:02:40,583
Beau-Beau,
26
00:02:40,666 --> 00:02:42,291
I'm ready to make a film.
27
00:02:42,791 --> 00:02:45,291
You had to do
the scenario of Icelandic Fisherman,
28
00:02:45,375 --> 00:02:46,916
and you haven't finished it.
29
00:02:47,000 --> 00:02:50,666
Because I'm not going to realize it.
I don't understand anything about this story.
30
00:02:50,750 --> 00:02:52,750
- It's an adaptation.
- Exactly.
31
00:02:52,833 --> 00:02:55,291
I am ready to realize. NOW.
32
00:02:55,375 --> 00:02:58,375
Mr. de Beauregard,
your film is a marvel.
33
00:02:58,458 --> 00:03:00,750
- The landscapes are spectacular.
- THANKS.
34
00:03:00,833 --> 00:03:03,916
This film is magnificent.
Even better than Ramuntcho.
35
00:03:04,541 --> 00:03:06,541
- See you later. Bye.
- See you later.
36
00:03:10,750 --> 00:03:14,416
- No one ever stands up for me.
- You're a star, not a starlet.
37
00:03:14,500 --> 00:03:16,208
We respect you too much, Suzanne.
38
00:03:16,791 --> 00:03:18,875
The one in the middle is Truffaut.
39
00:03:20,000 --> 00:03:22,000
To his left, of course, we have Chabrol.
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00:03:23,208 --> 00:03:25,666
And the one with the dark glasses,
It’s Jean-Luc.
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00:03:25,750 --> 00:03:26,875
Jean-Luc?
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00:03:28,375 --> 00:03:29,375
Godard.
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00:03:31,208 --> 00:03:32,750
He's the real genius.
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00:03:34,166 --> 00:03:36,291
At least that's what he says.
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00:03:36,375 --> 00:03:39,291
Cannes is not ready
to such a stroke of brilliance, François.
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I assure you,
your film will captivate them.
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They will see the true face
of modern French cinema.
48
00:03:46,041 --> 00:03:48,333
Why do you say that?
He cursed my film.
49
00:03:48,416 --> 00:03:51,500
- Don't be superstitious.
- They're going to hate him.
50
00:03:51,583 --> 00:03:54,583
- This will be the worst film of the year.
- Which will never come out.
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The belly assured.
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00:03:56,041 --> 00:03:58,166
- It's not Citizen Kane.
- Far from it.
53
00:03:58,250 --> 00:04:02,250
It would take a miracle for these croutons to
like the film by a young director.
54
00:04:02,333 --> 00:04:05,416
- Ah, your wife.
- Ah, oh!
55
00:04:06,333 --> 00:04:07,333
Excuse me.
56
00:04:11,208 --> 00:04:14,583
- Rossellini was best man at their wedding.
- Beautiful couple.
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00:04:14,666 --> 00:04:16,666
- Are you doing well ?
- Yes, thank you.
58
00:04:17,458 --> 00:04:18,833
- Vicki.
- Good evening.
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00:04:21,875 --> 00:04:24,250
- ...have lunch together.
- Excuse me.
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00:04:24,333 --> 00:04:27,583
Claude Chabrol, right?
I'm sorry to bother you.
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00:04:27,666 --> 00:04:30,041
I wanted to tell you
how much I loved Le Beau Serge.
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But... thank you.
63
00:04:32,333 --> 00:04:35,250
I am flattered and I admire you very much.
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00:04:45,083 --> 00:04:48,791
When I told my parents
that I had to make films...
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00:04:48,875 --> 00:04:50,875
You might as well say: “I want to be a composer”
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00:04:50,958 --> 00:04:53,666
to someone
who has ever heard music.
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00:04:53,750 --> 00:04:57,041
This is unknown territory for them,
but I have to realize.
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00:04:59,041 --> 00:05:00,333
It's too late, Suzanne.
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00:05:01,500 --> 00:05:04,333
It's never too late.
It will come when it comes.
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00:05:04,416 --> 00:05:07,125
I was supposed to make my first film
before 25 years.
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00:05:07,208 --> 00:05:09,791
"Missed the wave",
it would make a beautiful epitaph.
72
00:05:09,875 --> 00:05:12,416
- You made a film at 25.
- A short film.
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00:05:12,500 --> 00:05:14,916
- That you realized.
- Um...
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00:05:15,583 --> 00:05:18,666
It doesn't count.
A short film is anti-cinema.
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00:05:19,250 --> 00:05:20,708
Face it.
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00:05:20,791 --> 00:05:23,250
I am the last of the Cahiers
to achieve a long.
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00:05:23,333 --> 00:05:25,250
Rivette, yes. Rohmer, yes.
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00:05:25,333 --> 00:05:26,583
Chabrol, twice yes.
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00:05:26,666 --> 00:05:27,916
Truffaut, yes.
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00:05:28,000 --> 00:05:31,416
Rohmer even wrote a novel,
and Truffaut is a year younger than me.
81
00:05:33,041 --> 00:05:35,291
But Godard, no.
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00:05:35,375 --> 00:05:38,625
Okay, how long are you going to take?
to find the courage, then?
83
00:05:40,166 --> 00:05:42,375
Either do it or shut up, my friend.
84
00:06:08,125 --> 00:06:11,458
"The 400 blows
will be a film signed Franchise.
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00:06:11,958 --> 00:06:14,458
“Speed. Art.
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"New. Cinematograph.
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00:06:17,458 --> 00:06:20,416
“Originality. Impertinence.
88
00:06:20,500 --> 00:06:22,708
“Serious. Tragic.
89
00:06:23,208 --> 00:06:25,833
“Ferocity. Ubu king.
90
00:06:26,375 --> 00:06:29,083
“Fantastic. Friendship.
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00:06:29,166 --> 00:06:31,416
“Universality. Tenderness.”
92
00:06:31,500 --> 00:06:34,291
So why aren't we in Cannes?
for the first?
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00:06:34,375 --> 00:06:37,291
It's disgusting.
Everyone is there. Everyone.
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Not me.
95
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Nor me.
96
00:06:41,500 --> 00:06:44,041
And what am I doing here?
97
00:06:45,333 --> 00:06:46,791
Huh, big Momo?
98
00:06:47,375 --> 00:06:48,666
Go ahead, if you want.
99
00:06:48,750 --> 00:06:50,583
I really like François' film.
100
00:06:51,166 --> 00:06:53,291
Well me too. Me on September 7.
101
00:06:53,375 --> 00:06:54,375
Me at eight!
102
00:06:54,875 --> 00:06:58,875
I would be willing to take even 400 shots
to see how it will go in Cannes.
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Go ahead, if you want. Leave us alone.
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Good.
105
00:07:38,458 --> 00:07:39,583
Well, I'm going there.
106
00:07:43,083 --> 00:07:49,583
Come prima
You give me every day
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Come prima
You give me so much love
108
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That I hope to return it to you
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00:08:00,458 --> 00:08:03,791
When happy in your arms
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00:08:03,875 --> 00:08:05,208
Come prima
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00:08:47,708 --> 00:08:48,750
It went well.
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Congratulations, François.
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And remember,
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art is not a hobby,
it is a priesthood.
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Thank you so much.
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I'm touched that you came. THANKS.
117
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Well done !
118
00:09:14,666 --> 00:09:19,000
- GOOD ! Candice, over here.
- So.
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00:09:19,083 --> 00:09:22,416
"A 28-year-old director:
François Truffaut.
120
00:09:22,500 --> 00:09:25,291
“A 14-year-old star: Jean-Pierre Léaud.
121
00:09:25,375 --> 00:09:28,791
“A triumph at Cannes: The 400 Blows.”
122
00:09:30,041 --> 00:09:31,916
As Chabrol said last night:
123
00:09:32,541 --> 00:09:36,375
"Not bad for a kid failing at school,
a runaway and a deserter.”
124
00:09:37,958 --> 00:09:41,541
I spoke to Braunberger
of your scenario, Odile.
125
00:09:42,291 --> 00:09:46,041
- He told me it was 250 pages long.
- He told me it was unfilmable.
126
00:09:46,833 --> 00:09:50,458
What is unfilmable?
Everything is filmable. Anything and everything.
127
00:09:50,541 --> 00:09:52,916
He must have meant "unproducible".
128
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Turns completely.
Go ahead. Yeah, that's good.
129
00:09:57,166 --> 00:09:59,666
And Prenatal then?
130
00:10:00,541 --> 00:10:02,958
I was thinking of calling him
A woman is a woman
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00:10:03,041 --> 00:10:04,625
and make it partly musical.
132
00:10:04,708 --> 00:10:06,000
Which part?
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00:10:06,083 --> 00:10:08,208
Oh, much less than half.
134
00:10:08,291 --> 00:10:10,791
No, better to bet
on Truffaut's scenario,
135
00:10:10,875 --> 00:10:12,958
with the cop killer and the American girl.
136
00:10:13,041 --> 00:10:14,625
- The guy from the news item?
- Hmm.
137
00:10:15,125 --> 00:10:18,458
Michel Portail?
But it's just a small strike.
138
00:10:18,541 --> 00:10:21,750
You worked on it.
Truffaut too. I find it perfect.
139
00:10:22,250 --> 00:10:26,000
But I would really like to show you
where I am with Prenatal.
140
00:10:26,083 --> 00:10:28,208
- Do you want your chance?
- You will see...
141
00:10:28,291 --> 00:10:30,833
No, that Ignace Morgenstern
say yes to Prenatal.
142
00:10:30,916 --> 00:10:34,208
Me, I won't let you realize
than Truffaut's scenario.
143
00:10:47,625 --> 00:10:51,041
I secretly hoped
that you would choose this one.
144
00:10:52,250 --> 00:10:54,916
We can do this
for a pittance, I promise.
145
00:10:55,000 --> 00:10:57,791
As ridiculous as possible,
I don't even have that.
146
00:10:57,875 --> 00:11:00,125
But with the names of Truffaut, Chabrol...
147
00:11:00,208 --> 00:11:01,083
Claude too?
148
00:11:01,166 --> 00:11:03,583
Yes, I asked him
to be technical director
149
00:11:03,666 --> 00:11:05,333
or artistic supervisor, finally...
150
00:11:05,416 --> 00:11:07,541
Everything to satisfy the union.
151
00:11:07,625 --> 00:11:09,250
Truffaut, Chabrol
152
00:11:09,833 --> 00:11:10,958
and me.
153
00:11:12,166 --> 00:11:14,041
If they want the New Wave,
154
00:11:14,958 --> 00:11:16,458
let's give them a tidal wave.
155
00:11:16,541 --> 00:11:18,333
Exactly. That's the spirit.
156
00:11:18,416 --> 00:11:21,000
Today,
everyone loves the New Wave.
157
00:11:21,083 --> 00:11:24,750
So, with the subsidies, no more Pignères...
158
00:11:24,833 --> 00:11:26,833
And I was able to convince Gérard Beytout.
159
00:11:27,333 --> 00:11:31,541
But in total, we will have less than a third
of the budget of an average French film.
160
00:11:31,625 --> 00:11:33,250
It's more than enough.
161
00:11:33,333 --> 00:11:37,083
But please,
Don’t ever call me “average” again.
162
00:11:37,166 --> 00:11:38,208
Never again.
163
00:11:38,291 --> 00:11:41,500
At Cahiers, we think
that films don't have to cost a lot.
164
00:11:41,583 --> 00:11:43,333
I like that about Cahiers.
165
00:11:43,416 --> 00:11:45,541
This is what allows
creative freedom.
166
00:11:45,625 --> 00:11:47,250
I like that less.
167
00:11:47,833 --> 00:11:48,833
Look.
168
00:11:48,916 --> 00:11:50,333
This is one of the notebooks
169
00:11:50,416 --> 00:11:54,000
in which I contain all my ideas
on cinema for ten years.
170
00:11:54,500 --> 00:11:57,083
Now,
it's time to transform these ideas
171
00:11:57,166 --> 00:11:58,708
in precise images.
172
00:11:59,458 --> 00:12:01,625
Everything we need
to make a film,
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00:12:01,708 --> 00:12:03,500
It's about a girl and a gun.
174
00:12:03,583 --> 00:12:04,833
Yes, I'm counting on that.
175
00:12:04,916 --> 00:12:07,916
The instant and the unexpected
are excluded in a formal narrative.
176
00:12:08,000 --> 00:12:09,833
This is the opportunity to explore all that.
177
00:12:09,916 --> 00:12:12,375
However,
the public prefers a formal narrative.
178
00:12:12,458 --> 00:12:15,083
The vast majority of a paying public.
179
00:12:15,166 --> 00:12:17,541
But we often offer him the choice
180
00:12:17,625 --> 00:12:20,208
between lyricism and story,
to this public who pays?
181
00:12:20,291 --> 00:12:24,708
What idea did I have,
to take me on a journey with a movie buff!
182
00:12:24,791 --> 00:12:27,416
Either I'm crazy or I'm a genius.
183
00:12:35,666 --> 00:12:38,541
We will never have Jean Seberg.
184
00:12:44,166 --> 00:12:46,125
It costs nothing to try.
185
00:13:00,333 --> 00:13:01,333
Lucien?
186
00:13:01,833 --> 00:13:03,875
What ? Do you hate this name?
187
00:13:03,958 --> 00:13:07,083
- Not to this extent, but why change?
- Yes, you are right.
188
00:13:07,583 --> 00:13:09,750
Michel was, Michel will remain.
189
00:13:10,416 --> 00:13:13,791
But instead of Michel Portail,
Michel Poiccard.
190
00:13:13,875 --> 00:13:16,291
Poiccard? Yes, why not.
191
00:13:43,875 --> 00:13:45,041
SO ?
192
00:13:45,125 --> 00:13:46,416
It's good.
193
00:13:46,500 --> 00:13:47,500
Not great?
194
00:13:47,583 --> 00:13:49,541
A draft can't be great.
195
00:13:49,625 --> 00:13:51,625
But I applaud these ideas. It's progressing.
196
00:13:54,041 --> 00:13:57,541
I should make a film in Panama.
That, at least, I know well.
197
00:13:57,625 --> 00:14:00,125
Ah, the dreadful wasted years
by Jean-Luc.
198
00:14:00,208 --> 00:14:03,625
That too would make an interesting film.
Maybe next time.
199
00:14:04,750 --> 00:14:07,375
- It's Liliane David.
- Oh, what a surprise.
200
00:14:10,041 --> 00:14:12,375
This is where you write,
both?
201
00:14:12,458 --> 00:14:13,625
Yes, for years.
202
00:14:14,125 --> 00:14:17,041
It's written here.
"First version, December 1956".
203
00:14:17,541 --> 00:14:21,000
"We're going to talk
very nasty things." Stendhal.
204
00:14:21,083 --> 00:14:22,708
That doesn't surprise me.
205
00:14:24,291 --> 00:14:26,958
Jean-Luc, do you have a role for me?
206
00:14:27,458 --> 00:14:28,833
Certainly not.
207
00:14:30,666 --> 00:14:32,000
Okay, film your feelings.
208
00:14:32,083 --> 00:14:34,208
And make a great film.
It has my name on it.
209
00:14:34,291 --> 00:14:37,500
- But it's my film.
- So. You will make your own mistakes.
210
00:15:01,916 --> 00:15:03,791
You have to work on your footwork.
211
00:15:07,125 --> 00:15:09,125
You're lucky to have glasses, son.
212
00:15:11,000 --> 00:15:12,000
Good.
213
00:15:12,083 --> 00:15:14,708
Your character, Michel,
214
00:15:14,791 --> 00:15:16,208
will either die,
215
00:15:16,708 --> 00:15:18,875
or seduce the girl.
216
00:15:19,666 --> 00:15:21,125
I can do both, huh?
217
00:15:28,125 --> 00:15:30,500
You are going to turn this
like Charlotte and her jules?
218
00:15:30,583 --> 00:15:33,458
Um... Yes,
but this time it will be your voice.
219
00:15:33,541 --> 00:15:36,791
For what ? You did a wonderful job
in my absence.
220
00:15:36,875 --> 00:15:38,791
Well, I did what I could.
221
00:15:38,875 --> 00:15:42,250
But you're done
your service in Algeria, right?
222
00:15:42,833 --> 00:15:45,833
- Yes.
- So you can overtake yourself.
223
00:15:47,458 --> 00:15:48,833
If I make the film.
224
00:15:49,333 --> 00:15:51,041
It's not a short film, is it?
225
00:16:23,291 --> 00:16:26,083
Roberto Rossellini,
you are the father of the New Wave,
226
00:16:26,166 --> 00:16:28,041
and we are your adopted children.
227
00:16:28,125 --> 00:16:30,250
You are at home at Cahiers du cinéma.
228
00:16:30,333 --> 00:16:32,541
- Welcome to you, Roberto.
- Thank you so much.
229
00:16:40,958 --> 00:16:44,125
Thank you, friends.
The cinema circle.
230
00:16:45,541 --> 00:16:47,125
All the insurgents.
231
00:16:48,208 --> 00:16:53,333
I always try to create a movement,
but I haven't reached it yet,
232
00:16:53,416 --> 00:16:56,375
because I understood well
that to create a movement,
233
00:16:56,458 --> 00:16:59,083
you have to crystallize in a position.
234
00:17:00,041 --> 00:17:02,500
And as soon as we crystallize,
we castrate ourselves.
235
00:17:04,708 --> 00:17:06,750
Cinema is about morality.
236
00:17:07,250 --> 00:17:10,416
There is no technique
to capture reality.
237
00:17:10,500 --> 00:17:13,750
Only moral rigor can achieve this.
238
00:17:13,833 --> 00:17:15,750
The camera is a pen,
239
00:17:15,833 --> 00:17:18,041
but a fool who is worthless,
240
00:17:18,125 --> 00:17:19,791
if you have nothing to say.
241
00:17:20,416 --> 00:17:22,916
The best way to film
is the simplest.
242
00:17:23,000 --> 00:17:24,541
Art, truth,
243
00:17:24,625 --> 00:17:27,250
wary of artistic effects
like the plague.
244
00:17:27,333 --> 00:17:29,666
True freedom is logical,
245
00:17:29,750 --> 00:17:32,208
doesn't care about rules and habits.
246
00:17:32,291 --> 00:17:34,041
It should not be filmed
247
00:17:34,125 --> 00:17:36,625
only in a state of emergency
and necessity.
248
00:17:39,291 --> 00:17:42,500
Don't consider the cinema
like something mystical.
249
00:17:44,041 --> 00:17:45,125
I see you, you.
250
00:17:50,125 --> 00:17:53,625
- THANKS. To urgency and necessity.
- THANKS. See you soon. Gentlemen.
251
00:17:53,708 --> 00:17:56,125
Travel to Italy shocked me, thank you.
252
00:17:56,208 --> 00:17:58,208
Oh, oh!
253
00:17:58,291 --> 00:18:00,416
- Bye.
- Thank you for coming to speak.
254
00:18:06,875 --> 00:18:10,750
Finally ! My dream is coming true.
I'm going to make my first film.
255
00:18:10,833 --> 00:18:12,458
Beauregard gave the green light.
256
00:18:12,541 --> 00:18:13,583
Cazzo!
257
00:18:14,208 --> 00:18:16,208
First day of filming: end of the dream.
258
00:18:23,875 --> 00:18:27,750
Anyone can make films.
Cinema is only a means of expression.
259
00:18:27,833 --> 00:18:30,041
Forget direct sound,
color, big screen.
260
00:18:30,125 --> 00:18:31,958
Despise traditional forms.
261
00:18:32,041 --> 00:18:33,625
Where exactly should I drop you off?
262
00:18:33,708 --> 00:18:36,583
Take a left.
Remember, turn fast.
263
00:18:36,666 --> 00:18:39,375
Interrupt filming
as soon as inspiration flags.
264
00:18:39,458 --> 00:18:42,666
- But this is a forbidden meaning.
- So, the next one on the left.
265
00:18:42,750 --> 00:18:44,416
Notes rather than a script.
266
00:18:44,500 --> 00:18:47,583
And find cheap solutions
logistical problems.
267
00:18:47,666 --> 00:18:49,083
It's nice here, on the corner.
268
00:18:55,541 --> 00:18:58,541
-Thank you, Roberto.
- Well, thanks for the ride, Jean-Luc.
269
00:19:06,208 --> 00:19:08,208
Do you have some money to lend me?
270
00:19:14,250 --> 00:19:16,208
This is the worst mistake of your life.
271
00:19:16,291 --> 00:19:18,541
Ah, the worst mistake of my life?
272
00:19:18,625 --> 00:19:21,291
Are you sure? Will you promise me?
273
00:19:21,791 --> 00:19:24,750
Honestly, it suits me,
if that's my biggest mistake.
274
00:19:24,833 --> 00:19:28,000
Let's hope it never comes out.
It would ruin your career.
275
00:19:28,083 --> 00:19:31,166
So find me another movie
before I finish this one.
276
00:19:31,250 --> 00:19:33,333
I know Godard is your friend.
277
00:19:33,416 --> 00:19:36,291
But for your career,
It’s suicidal.
278
00:19:36,375 --> 00:19:38,958
Well, you are wrong.
He's not such a good friend.
279
00:19:39,041 --> 00:19:40,166
I can see that clearly.
280
00:19:40,250 --> 00:19:43,833
Your contract won't even pay
your vacation on the Riviera.
281
00:19:44,333 --> 00:19:47,625
A trip to Monaco and a spin of roulette
will pay for my vacation.
282
00:19:47,708 --> 00:19:50,958
I ask you one last time.
283
00:19:51,041 --> 00:19:54,250
I can get you a role
in Julien Duvivier's film.
284
00:19:54,333 --> 00:19:56,041
Less work, more money.
285
00:19:56,125 --> 00:19:58,250
And in a film that people will go see.
286
00:19:58,333 --> 00:19:59,333
Yeah.
287
00:20:00,000 --> 00:20:02,000
And I would be bored to death.
288
00:20:02,958 --> 00:20:04,750
You tire me.
289
00:20:04,833 --> 00:20:06,250
THANKS.
290
00:20:08,041 --> 00:20:09,458
- Don't be so upset.
- Ouch!
291
00:20:09,541 --> 00:20:11,625
Oh, hey. It'll be OK.
292
00:20:23,125 --> 00:20:27,000
The only way to never be late,
it's about always being one step ahead.
293
00:20:27,625 --> 00:20:31,166
I told you you'd be the youngest
assistant director from France.
294
00:20:31,666 --> 00:20:32,666
THANKS.
295
00:20:36,583 --> 00:20:39,000
- Here is the film in summary.
- Oh.
296
00:20:41,125 --> 00:20:43,250
That's enough for me to start planning.
297
00:20:43,333 --> 00:20:45,333
When do you want to start scouting?
298
00:20:45,416 --> 00:20:46,791
I already have all my decorations.
299
00:20:46,875 --> 00:20:48,708
- Here's the list.
- Tremendous.
300
00:20:48,791 --> 00:20:52,166
And this is the list of cars
that I want for the shoot.
301
00:20:52,250 --> 00:20:53,250
All right.
302
00:20:53,333 --> 00:20:56,375
The big American,
it's the one that Michel steals at the beginning.
303
00:20:57,583 --> 00:21:00,375
- Will you find anything good in Marseille?
- Of course, yes.
304
00:21:02,375 --> 00:21:03,583
Is that all?
305
00:21:07,625 --> 00:21:08,791
So, Jean-Luc,
306
00:21:08,875 --> 00:21:11,416
according to this scenario, there are 58 scenes.
307
00:21:11,500 --> 00:21:12,916
Yes, about ten.
308
00:21:13,541 --> 00:21:15,291
Yes, of course, everything can change.
309
00:21:15,375 --> 00:21:16,916
Everything except the money.
310
00:21:17,000 --> 00:21:18,250
So the number of days.
311
00:21:19,833 --> 00:21:21,833
Well yes. We have 20 days to shoot,
312
00:21:21,916 --> 00:21:24,166
no matter how many final scenes there are.
313
00:21:24,250 --> 00:21:26,916
But that's enough. More than enough.
314
00:21:28,500 --> 00:21:30,541
-And don't show this to anyone.
- That ?
315
00:21:46,750 --> 00:21:49,541
- Sir !
- Melville told me I could come.
316
00:21:49,625 --> 00:21:51,041
What is your name?
317
00:21:51,791 --> 00:21:52,833
Jean-Luc Godard.
318
00:21:52,916 --> 00:21:55,750
- Sorry, no journalists here.
- But he invited me.
319
00:21:56,375 --> 00:21:58,000
And I'm not a journalist.
320
00:22:02,083 --> 00:22:03,916
I'm a director now.
321
00:22:04,000 --> 00:22:06,708
- I didn't think you would come.
- Oh yes ?
322
00:22:06,791 --> 00:22:08,791
- Adds a length of rails.
- GOOD.
323
00:22:08,875 --> 00:22:11,083
It's just to soak it all in.
324
00:22:11,166 --> 00:22:14,333
I have so many questions
as filming arrives.
325
00:22:14,416 --> 00:22:16,250
But of course, naturally.
326
00:22:16,333 --> 00:22:18,708
A director
must be constantly open,
327
00:22:18,791 --> 00:22:20,916
constantly “traumatisable”.
328
00:22:21,000 --> 00:22:22,958
His sense of observation
and psychology
329
00:22:23,041 --> 00:22:25,750
must be as sharp as possible.
330
00:22:25,833 --> 00:22:27,916
Oh, and take Martial for the music.
331
00:22:28,000 --> 00:22:29,541
- Oh yes ?
- Solal is sublime.
332
00:22:29,625 --> 00:22:31,791
I will introduce it to you. Roland!
333
00:22:32,333 --> 00:22:34,916
We're changing from the Cadillac,
we take the Buick.
334
00:22:36,375 --> 00:22:39,583
I will also introduce you
car thieves, if you will.
335
00:22:39,666 --> 00:22:41,875
Specialists, the cream of the crop.
336
00:22:44,375 --> 00:22:45,416
This one.
337
00:22:46,625 --> 00:22:48,541
Simplify your story.
338
00:22:48,625 --> 00:22:50,833
Ditch the subplots.
339
00:22:50,916 --> 00:22:53,916
- Even the one where you appear?
- Not this one, of course.
340
00:22:54,000 --> 00:22:56,416
Add lyricism to your narration.
341
00:22:57,125 --> 00:22:59,333
And don't hesitate
to ignore what I said.
342
00:22:59,416 --> 00:23:01,083
The advice is made for that.
343
00:23:01,583 --> 00:23:03,083
Excuse me.
344
00:23:03,166 --> 00:23:04,583
I'll come back for a moment.
345
00:23:05,083 --> 00:23:08,125
On your shoot,
when everyone looks at you,
346
00:23:08,208 --> 00:23:10,208
it will be your own hell.
347
00:23:10,958 --> 00:23:13,958
You and you on the other side.
You, with me.
348
00:23:26,666 --> 00:23:27,750
Jeans !
349
00:23:27,833 --> 00:23:30,208
- Jean Seberg has just arrived.
- Jeans !
350
00:23:30,291 --> 00:23:31,750
She gets out of her car...
351
00:23:31,833 --> 00:23:35,166
Mrs. Seberg!
What do you expect from Paris?
352
00:23:35,250 --> 00:23:36,458
Are you settling in?
353
00:23:36,541 --> 00:23:38,291
Jean, what do you expect from Paris?
354
00:23:38,375 --> 00:23:42,708
Uh... Money,
sports cars, diamonds!
355
00:23:45,833 --> 00:23:47,625
No, more seriously,
356
00:23:47,708 --> 00:23:50,333
a calm, creative life,
357
00:23:50,416 --> 00:23:51,916
with my husband
358
00:23:52,541 --> 00:23:53,541
and my friends.
359
00:23:54,416 --> 00:23:55,500
THANKS.
360
00:23:55,583 --> 00:23:58,041
And what will be your next film?
361
00:23:58,125 --> 00:24:00,166
- One last photo!
- Jeans !
362
00:24:00,250 --> 00:24:06,458
{\an8}Happy birthday, Françoise
363
00:24:06,541 --> 00:24:12,458
Happy birthday
364
00:24:23,708 --> 00:24:26,541
And do you consider yourself
like a movie star
365
00:24:26,625 --> 00:24:28,250
or rather like an actress?
366
00:24:28,791 --> 00:24:31,291
I believe that...
367
00:24:34,083 --> 00:24:37,416
...I am living proof
that all the advertising in the world
368
00:24:37,500 --> 00:24:40,416
can't make you
a movie star
369
00:24:40,500 --> 00:24:42,916
if you are not also an actress.
370
00:24:43,583 --> 00:24:45,583
- Remind me of your name.
- Godard.
371
00:24:46,125 --> 00:24:49,125
G-O-D-A-R-D. I should be on the list.
372
00:24:49,708 --> 00:24:52,125
Jean Seberg will be
the star of my next film.
373
00:24:54,833 --> 00:24:55,750
François Moreuil?
374
00:24:57,791 --> 00:24:59,958
- François Moreuil!
- Raymond, he is with me.
375
00:25:00,041 --> 00:25:01,666
- Oh.
-Jean-Luc Godard.
376
00:25:01,750 --> 00:25:04,000
Glad you could come.
Thanks, Raymond.
377
00:25:04,500 --> 00:25:06,083
Thank you for your invitation.
378
00:25:06,166 --> 00:25:09,375
I didn't think I had room
in my life for another Francis.
379
00:25:09,958 --> 00:25:13,208
- Jean can't wait to meet you.
- Has Jean Seberg seen my work?
380
00:25:13,291 --> 00:25:15,291
- Have you ever made a film?
- Pardon.
381
00:25:16,166 --> 00:25:18,583
I feel so close
of the New Wave.
382
00:25:18,666 --> 00:25:21,916
Truffaut wrote the screenplay,
Chabrol is an advisor...
383
00:25:22,000 --> 00:25:25,458
- It would be great for Jean.
- But what does she think about it?
384
00:25:25,541 --> 00:25:30,875
Otto Preminger is both
the most charming dinner guest
385
00:25:30,958 --> 00:25:35,166
and the director
the most sadistic in the world.
386
00:25:35,833 --> 00:25:37,250
This is not true.
387
00:25:37,333 --> 00:25:40,666
He's only OK as a guest.
388
00:25:42,375 --> 00:25:43,791
I'm not Preminger.
389
00:25:44,333 --> 00:25:46,541
I will never do again
two takes per shot.
390
00:25:46,625 --> 00:25:48,000
Will they let you do it?
391
00:25:50,208 --> 00:25:53,500
The more we repeat,
and the more mechanical things become,
392
00:25:53,583 --> 00:25:55,583
and the further the film strays from life.
393
00:25:56,958 --> 00:25:59,458
I want to maintain
the independence of the artist.
394
00:25:59,541 --> 00:26:01,750
Of the painter who can leave his canvas
395
00:26:01,833 --> 00:26:04,125
to go get a drink,
if he wants it.
396
00:26:04,625 --> 00:26:06,875
Or to seek inspiration.
397
00:26:08,500 --> 00:26:11,458
Wow, that looks interesting.
398
00:26:11,541 --> 00:26:15,500
Very different
of what Herr Otto taught me.
399
00:26:16,041 --> 00:26:17,625
It's not that different.
400
00:26:18,791 --> 00:26:22,208
Breathless will be the extension
of your role in Hello sadness.
401
00:26:23,125 --> 00:26:24,500
Uh... How?
402
00:26:24,583 --> 00:26:28,083
Imagine the last shot
from Preminger's film.
403
00:26:28,166 --> 00:26:32,583
Continue on a cardboard “Three years later”
and you just have to be yourself.
404
00:26:33,875 --> 00:26:34,708
Oh.
405
00:26:34,791 --> 00:26:38,416
I want you to keep the gestures
that you do off set.
406
00:26:38,500 --> 00:26:40,458
The way you hold a cigarette
407
00:26:41,333 --> 00:26:42,625
or do your hair.
408
00:26:44,166 --> 00:26:46,041
You've never seen me do my hair.
409
00:26:46,125 --> 00:26:47,333
And yet,
410
00:26:48,083 --> 00:26:49,333
everyone dreams of it.
411
00:26:49,833 --> 00:26:52,916
- A legendary place.
- I've been here before.
412
00:26:53,000 --> 00:26:55,083
I grew up on a farm in Iowa.
413
00:26:56,083 --> 00:26:58,000
But at the premiere of Sainte Joan,
414
00:26:58,083 --> 00:27:01,458
Harry Belafonte sang
My Funny Valentine here,
415
00:27:01,541 --> 00:27:02,666
just for me.
416
00:27:04,250 --> 00:27:06,166
You played a saint.
417
00:27:06,250 --> 00:27:07,458
The Saint.
418
00:27:08,208 --> 00:27:10,291
And a sinner
in Hello sadness.
419
00:27:10,375 --> 00:27:13,791
Here you will be both,
a saint and a sinner.
420
00:27:14,458 --> 00:27:15,958
It's very tempting.
421
00:27:17,666 --> 00:27:19,958
If the big bad wolves leave me.
422
00:27:23,500 --> 00:27:24,916
Who are these wolves?
423
00:27:25,000 --> 00:27:27,666
Preminger sold Jean's contract
at Columbia.
424
00:27:28,500 --> 00:27:29,500
What contract?
425
00:27:30,416 --> 00:27:33,625
Don't worry, I'll make arrangements
for Columbia to accept.
426
00:27:34,583 --> 00:27:38,083
We will offer them either $15,000,
or half of the film's profits.
427
00:27:38,666 --> 00:27:41,416
- They will take the money.
- Fifteen thousand dollars?
428
00:27:42,083 --> 00:27:43,208
She's well worth it.
429
00:28:13,416 --> 00:28:14,416
Ah!
430
00:28:14,916 --> 00:28:16,791
- SO ?
- So...
431
00:28:18,958 --> 00:28:21,958
He is neither Truffaut nor Chabrol.
432
00:28:22,041 --> 00:28:26,166
- It will be better than with Preminger.
- Honestly, anyone would be better.
433
00:28:40,416 --> 00:28:43,083
Jean-Luc, the fabulous cameraman
which I spoke to you about.
434
00:28:43,166 --> 00:28:46,833
Raoul Coutard. I don't like
that they impose on me in place of Latouche.
435
00:28:46,916 --> 00:28:48,750
That's not how I work.
436
00:28:50,791 --> 00:28:52,958
Let's see if I'm the man for you.
437
00:28:53,041 --> 00:28:55,125
Have you ever used
the Caméflex Éclair?
438
00:28:55,958 --> 00:28:57,375
During the war, yes.
439
00:28:57,458 --> 00:29:00,750
- He's noisy, but above all...
- Yes, I know, no live sound.
440
00:29:01,250 --> 00:29:03,250
But at the same time,
it's so light
441
00:29:03,333 --> 00:29:05,625
that we can do anything,
even take it by hand.
442
00:29:05,708 --> 00:29:09,625
When a filming
is overplanned, overprepared,
443
00:29:09,708 --> 00:29:11,958
it simply becomes
a practical application
444
00:29:12,041 --> 00:29:14,041
from what we have already been able to imagine.
445
00:29:14,125 --> 00:29:17,708
I want to start each day
without knowing what I am going to film.
446
00:29:18,208 --> 00:29:20,625
- I want to search.
- Like my reports.
447
00:29:20,708 --> 00:29:23,500
And at night, without lighting,
how do you do it?
448
00:29:25,875 --> 00:29:28,791
- I like Ilford.
- Yeah, like everyone else.
449
00:29:29,291 --> 00:29:32,625
High sensitivity photo film,
it doesn't exist for cinema.
450
00:29:32,708 --> 00:29:34,375
It's sold in small reels.
451
00:29:34,458 --> 00:29:38,083
And what would stop us
to stick eight or nine end to end?
452
00:29:38,166 --> 00:29:39,250
Would that work?
453
00:29:39,333 --> 00:29:40,333
Yeah.
454
00:29:40,416 --> 00:29:43,291
If it goes into the projector,
it will pass through the camera.
455
00:29:43,375 --> 00:29:44,708
Finally, you have to try it.
456
00:29:45,958 --> 00:29:46,958
And for the format?
457
00:29:47,541 --> 00:29:50,875
The standard is the scope.
The 1:37 would be a bit arbitrary there.
458
00:29:50,958 --> 00:29:52,458
That's what I like.
459
00:29:53,458 --> 00:29:54,916
Well, listen, Coutard.
460
00:29:55,666 --> 00:29:58,000
Me, I want
a cinematographer who follows me.
461
00:30:00,000 --> 00:30:02,083
I ask, he does.
462
00:30:05,333 --> 00:30:08,625
What could make me believe
that you would be able
463
00:30:08,708 --> 00:30:11,750
to engage
in a completely wild shoot,
464
00:30:11,833 --> 00:30:14,416
far from the plateaus and without light?
465
00:30:15,791 --> 00:30:17,041
Listen, Godard.
466
00:30:17,125 --> 00:30:21,125
Where I grew up, we were broke.
That's why I joined the army.
467
00:30:21,625 --> 00:30:23,916
I learned photography there,
as a soldier.
468
00:30:24,625 --> 00:30:28,916
I did all my shots
in a second, on the fly, without light,
469
00:30:29,000 --> 00:30:31,083
on sets of a completely different kind.
470
00:30:32,916 --> 00:30:35,291
John, what are you doing?
471
00:30:36,458 --> 00:30:38,583
He can't wait to meet you.
472
00:30:38,666 --> 00:30:40,166
Honey, please.
473
00:30:41,541 --> 00:30:44,500
I never said I would make the film.
474
00:30:44,583 --> 00:30:47,041
I got you out of this fucking contract,
475
00:30:47,125 --> 00:30:48,750
Don't pull out now.
476
00:30:49,875 --> 00:30:50,708
Jeez.
477
00:30:51,458 --> 00:30:54,083
Meet him, it will help convince you.
478
00:30:54,166 --> 00:30:56,833
What if I don't want to be?
479
00:30:56,916 --> 00:30:58,750
You could do
another movie together.
480
00:31:01,208 --> 00:31:03,416
Is this your second collaboration?
481
00:31:03,500 --> 00:31:05,541
- Absolutely, yes.
- Good morning.
482
00:31:05,625 --> 00:31:07,208
- Hello.
- Enchanted.
483
00:31:07,291 --> 00:31:08,666
Delighted to meet you.
484
00:31:09,583 --> 00:31:11,000
What would you like ?
485
00:31:11,083 --> 00:31:13,458
Cheese ? Bread ? Sandwich? Salad ?
486
00:31:13,541 --> 00:31:15,583
Wine ? Beer ? Coke?
487
00:31:15,666 --> 00:31:17,625
I want all of that, please.
488
00:31:17,708 --> 00:31:19,458
- Okay.
- I'm coming out of boxing.
489
00:31:19,541 --> 00:31:21,583
Oh dear, watch out! Okay, I'll take care of it.
490
00:31:23,916 --> 00:31:25,541
- This way.
- Okay.
491
00:31:26,166 --> 00:31:27,000
So...
492
00:31:27,875 --> 00:31:30,291
- You have a very nice house.
- Oh, thank you.
493
00:31:30,833 --> 00:31:32,541
And the garden is very pretty.
494
00:31:32,625 --> 00:31:33,875
Let's go see that.
495
00:31:34,500 --> 00:31:36,875
Jean-Luc would hate for us to see each other.
496
00:31:38,083 --> 00:31:40,250
It is surely
the last thing he wants.
497
00:31:40,750 --> 00:31:41,833
I warned him.
498
00:31:42,791 --> 00:31:44,666
- For what ?
- What did he say?
499
00:31:44,750 --> 00:31:47,958
Well, I proposed to him
to come with us. It made him laugh.
500
00:31:48,958 --> 00:31:52,416
He said you were going to talk about him,
you might as well do it right away.
501
00:31:53,583 --> 00:31:54,708
We won't embarrass ourselves.
502
00:31:55,750 --> 00:31:56,583
Good.
503
00:31:56,666 --> 00:31:59,916
The first time I met him,
it was in the Latin Quarter.
504
00:32:00,875 --> 00:32:03,875
It seemed strange to me,
with his glasses and the way he speaks.
505
00:32:05,458 --> 00:32:07,625
A few weeks later, bam!
506
00:32:07,708 --> 00:32:09,708
He appears in front of me at the Lipp brewery
507
00:32:09,791 --> 00:32:12,958
and he suggested that I shoot a short
in his hotel room.
508
00:32:13,500 --> 00:32:15,458
I thought he was hitting on me.
509
00:32:15,541 --> 00:32:18,750
I talked to my wife about it,
She said to me: “Don’t be ridiculous.”
510
00:32:19,958 --> 00:32:21,666
Well, it went very well.
511
00:32:22,166 --> 00:32:25,291
And then he wrote to me
when I was in the army in Algeria
512
00:32:25,375 --> 00:32:27,208
so that I allow him to overtake me.
513
00:32:27,958 --> 00:32:29,291
He sugar-coated it by saying:
514
00:32:29,375 --> 00:32:32,333
"When I make my first feature film,
it will be with you.”
515
00:32:32,416 --> 00:32:33,375
And there you have it.
516
00:32:34,000 --> 00:32:36,333
He kept his word.
Nowadays, that's not nothing.
517
00:32:36,416 --> 00:32:38,708
It's not nothing, it's true.
518
00:32:39,583 --> 00:32:41,166
But he only did the editing
519
00:32:41,250 --> 00:32:43,750
some documentaries
animal and travel,
520
00:32:43,833 --> 00:32:47,041
and then, a corporate film
and short films.
521
00:32:47,125 --> 00:32:50,375
I can't say why exactly,
I don't know anything about it myself,
522
00:32:50,458 --> 00:32:51,666
but I trust him.
523
00:32:52,541 --> 00:32:56,125
- He likes actors, at least?
- As long as we don't interpret.
524
00:32:57,333 --> 00:32:58,541
I don't know.
525
00:32:59,750 --> 00:33:00,750
And...
526
00:33:01,250 --> 00:33:05,541
This story seems
so sordid and creepy.
527
00:33:05,625 --> 00:33:07,375
- Do you think so?
- Not you?
528
00:33:08,166 --> 00:33:09,958
He didn't tell me what it was about.
529
00:33:10,041 --> 00:33:12,541
- And you signed?
- Well yes, and you too.
530
00:33:13,041 --> 00:33:15,166
He didn't show you a script, did he?
531
00:33:15,250 --> 00:33:16,708
Truffaut's scenario?
532
00:33:16,791 --> 00:33:20,583
No, he just said it was coming
of a news item in the newspapers.
533
00:33:20,666 --> 00:33:23,916
About a crook, Michel Portail.
Michel Poiccard, now.
534
00:33:24,958 --> 00:33:27,333
Whatever its name,
I guess it's me.
535
00:33:28,416 --> 00:33:30,625
Anyway,
maybe this is the story,
536
00:33:30,708 --> 00:33:32,625
but with Godard, it will be different.
537
00:33:33,416 --> 00:33:36,875
I don't know
whether it's scary or exciting.
538
00:33:38,416 --> 00:33:39,500
Both, perhaps.
539
00:33:40,875 --> 00:33:41,833
We'll see.
540
00:33:42,458 --> 00:33:44,291
On to our adventure, then.
541
00:33:45,791 --> 00:33:46,666
Okay.
542
00:33:50,250 --> 00:33:53,041
- Jean-Luc?
- Yes ?
543
00:33:53,125 --> 00:33:56,125
I present to you our press officer,
Richard Balducci.
544
00:33:56,708 --> 00:33:58,791
- Good morning.
- Good morning.
545
00:33:58,875 --> 00:34:00,583
I want to create a myth,
546
00:34:00,666 --> 00:34:03,000
leak a story
during production
547
00:34:03,083 --> 00:34:06,083
that one day,
you robbed a garage at gunpoint.
548
00:34:07,500 --> 00:34:09,375
- I like it.
- It's not bad, eh?
549
00:34:11,208 --> 00:34:13,291
A new outlaw in town.
550
00:34:14,291 --> 00:34:16,583
And there will be an assistant on set,
551
00:34:16,666 --> 00:34:18,750
who, in reality, is a journalist.
552
00:34:19,333 --> 00:34:20,333
Here, Marc.
553
00:34:22,541 --> 00:34:24,166
Jean-Luc, Marc Pierret.
554
00:34:24,666 --> 00:34:26,583
- Good morning.
- Good morning.
555
00:34:27,083 --> 00:34:30,125
I admire your work.
I have read all your reviews.
556
00:34:30,208 --> 00:34:32,166
I will keep a logbook.
557
00:34:33,083 --> 00:34:35,916
Well, as long as you know
that we will make you work...
558
00:34:36,416 --> 00:34:38,041
We need an assistant.
559
00:34:38,125 --> 00:34:39,125
Perfect.
560
00:34:52,708 --> 00:34:55,916
There. A beautiful photo
of legal identity for Poiccard.
561
00:34:56,000 --> 00:34:57,416
Oh yes, yes.
562
00:34:57,500 --> 00:35:00,500
His portrait in the cinema directory.
It's perfect.
563
00:35:01,166 --> 00:35:04,458
Um... I'll have it printed
in an issue of France-Soir, is that it?
564
00:35:04,541 --> 00:35:05,541
Obviously.
565
00:35:34,541 --> 00:35:37,666
How to make a movie
after seeing this masterpiece?
566
00:35:37,750 --> 00:35:38,958
Now's not the time.
567
00:35:39,041 --> 00:35:41,666
Jean-Luc, think of Rossellini.
Be quick like him.
568
00:35:41,750 --> 00:35:44,958
Be mischievous like Sacha Guitry,
musical like Orson Welles,
569
00:35:45,041 --> 00:35:46,625
simple like Marcel Pagnol.
570
00:35:46,708 --> 00:35:49,541
Be hurt like Nicholas Ray,
effective like Hitchcock,
571
00:35:49,625 --> 00:35:53,625
deep like Bergman
and above all, be insolent like no other.
572
00:35:54,791 --> 00:35:56,916
Another crucial thing: good morale.
573
00:35:57,000 --> 00:36:00,166
Yes. Confidence and courage,
essential to everyone,
574
00:36:00,250 --> 00:36:01,750
every day, to continue.
575
00:36:01,833 --> 00:36:04,000
Not just to continue, to dare.
576
00:36:04,083 --> 00:36:05,458
Twenty days is a lifetime.
577
00:36:05,541 --> 00:36:08,083
Be determined to surprise, Jean-Luc.
578
00:36:09,500 --> 00:36:11,500
Okay, just don't fuck up, that's all.
579
00:36:41,458 --> 00:36:45,083
I hope our film
will be beautifully simple
580
00:36:45,166 --> 00:36:46,791
or simple beauty.
581
00:36:48,583 --> 00:36:50,333
Thank you for trusting me.
582
00:36:50,416 --> 00:36:51,416
Ah, confidence.
583
00:36:52,000 --> 00:36:53,958
What would a producer do without it?
584
00:36:54,041 --> 00:36:56,250
I pray constantly, from evening to morning.
585
00:36:56,750 --> 00:37:00,333
- We don't make fun of cinema.
- Otherwise, he's the one who's making fun of you.
586
00:37:02,041 --> 00:37:03,625
As a director,
587
00:37:04,208 --> 00:37:06,750
I aim
intellectual and moral anarchy.
588
00:37:06,833 --> 00:37:10,541
But nothing obscure or incomprehensible,
like some of your reviews.
589
00:37:11,416 --> 00:37:13,625
Only a story that stands,
590
00:37:13,708 --> 00:37:15,958
a realistic and sexy slice of film noir.
591
00:37:42,958 --> 00:37:44,541
Hello, company!
592
00:37:46,833 --> 00:37:47,791
So,
593
00:37:48,333 --> 00:37:49,541
it's the big day.
594
00:37:50,208 --> 00:37:51,541
We're going to make this film.
595
00:37:52,416 --> 00:37:53,625
We're going to do it.
596
00:38:01,375 --> 00:38:04,166
- Go ahead, come closer.
- Come on.
597
00:38:05,333 --> 00:38:07,666
- We're too close.
- For the first day.
598
00:38:07,750 --> 00:38:08,958
Only day we'll be this close.
599
00:38:11,833 --> 00:38:14,458
Wait, Raymond.
Make another one, stand over there.
600
00:38:14,541 --> 00:38:17,208
- Yes, boss.
- This is how a director is born.
601
00:38:17,291 --> 00:38:19,125
- That's it.
- Yes, yes, that's it.
602
00:38:20,583 --> 00:38:22,750
Come on, the little bird will come out.
603
00:38:24,875 --> 00:38:27,375
Do you know Suzon, our scriptwriter?
604
00:38:27,458 --> 00:38:28,666
Enchanted.
605
00:38:29,166 --> 00:38:31,708
- Hi.
- You are not working today.
606
00:38:31,791 --> 00:38:36,500
Yes, but Preminger wanted
that I am there every day.
607
00:38:37,291 --> 00:38:39,583
Available 24 hours a day.
608
00:38:39,666 --> 00:38:41,833
- I like it.
- Absolutely.
609
00:38:42,333 --> 00:38:46,041
- Enchanted.
- Enchanted, I'm Suzon, the scriptwriter.
610
00:38:46,125 --> 00:38:49,500
So, for now,
I have nothing to do yet.
611
00:38:49,583 --> 00:38:50,416
Oh.
612
00:38:50,500 --> 00:38:53,500
Come on ! Let's enter the history of cinema.
613
00:38:53,583 --> 00:38:55,875
Finally, let's already enter
in our first day.
614
00:38:55,958 --> 00:38:57,416
Let's enter the Pantheon.
615
00:38:57,958 --> 00:39:00,208
Okay, let's get set up. Perfect.
616
00:39:00,291 --> 00:39:01,291
Wait, Peter.
617
00:39:01,833 --> 00:39:03,916
Any words of wisdom before we start?
618
00:39:04,000 --> 00:39:05,791
Uh, yes... Yes, yes.
619
00:39:06,291 --> 00:39:08,708
Listen,
"let's prove that genius is not a gift,
620
00:39:08,791 --> 00:39:11,541
"but the outcome that we invent
in desperate cases."
621
00:39:11,625 --> 00:39:13,583
Jean-Paul Sartre, does that suit you?
622
00:39:13,666 --> 00:39:16,208
- Well done, you can... you can say hello.
- Well done.
623
00:39:16,291 --> 00:39:18,291
Okay, Pierre, what are we waiting for?
624
00:39:18,375 --> 00:39:20,500
Raoul has the camera, we can go.
625
00:39:20,583 --> 00:39:22,041
- Let's go.
- Come on ! Here we go.
626
00:39:22,125 --> 00:39:24,125
Hop. So...
627
00:39:24,833 --> 00:39:26,041
Want to take a look?
628
00:39:28,000 --> 00:39:30,500
You enter the cabin,
you want to talk to Patricia,
629
00:39:30,583 --> 00:39:32,041
but you forgot his number.
630
00:39:32,750 --> 00:39:35,041
And the damn machine swallowed your coin.
631
00:39:35,125 --> 00:39:37,083
- Engine, Raoul!
- Hop.
632
00:39:37,708 --> 00:39:39,458
It's working, Jean-Luc.
633
00:39:39,958 --> 00:39:40,958
Come on !
634
00:39:54,000 --> 00:39:55,541
Cut. Clap. It was good.
635
00:39:55,625 --> 00:39:56,875
- GOOD ?
- Alright.
636
00:39:56,958 --> 00:40:00,166
- Cut.
- For the rest, we have to go.
637
00:40:00,750 --> 00:40:01,916
Come on, let's go.
638
00:40:04,708 --> 00:40:06,125
- It's running.
- Come on !
639
00:40:07,625 --> 00:40:10,375
- Go to the counter to order.
- A live one.
640
00:40:10,458 --> 00:40:12,666
Wait. Turn around.
641
00:40:13,416 --> 00:40:14,708
Count your change.
642
00:40:15,958 --> 00:40:17,791
And see what you can afford.
643
00:40:20,250 --> 00:40:23,041
- How much is a fried egg and ham?
- 180.
644
00:40:23,541 --> 00:40:24,625
Yes, then one.
645
00:40:28,500 --> 00:40:30,208
I buy the newspaper, I'll come back.
646
00:40:37,333 --> 00:40:38,750
- Cut.
- It's cut.
647
00:40:40,125 --> 00:40:41,708
We move on to the close-up.
648
00:40:45,166 --> 00:40:47,500
It's running. Okay.
649
00:40:52,416 --> 00:40:53,250
Cut !
650
00:40:54,583 --> 00:40:55,500
Cut.
651
00:40:56,875 --> 00:40:59,500
- Shall we continue?
- No, that's all for today.
652
00:40:59,583 --> 00:41:00,625
I have more ideas.
653
00:41:01,375 --> 00:41:02,416
Shall we pack up?
654
00:41:03,083 --> 00:41:05,583
After only two hours?
655
00:41:05,666 --> 00:41:06,666
Well yes!
656
00:41:07,375 --> 00:41:09,708
- Shall we have a rehearsal for tomorrow?
- No.
657
00:41:10,208 --> 00:41:11,833
Do we have a scenario for tomorrow?
658
00:41:11,916 --> 00:41:15,750
No, let them stay in character,
that they do not learn their text.
659
00:41:16,250 --> 00:41:17,541
What text?
660
00:41:18,166 --> 00:41:21,333
If they start thinking about dialogue,
they will be prepared.
661
00:41:21,416 --> 00:41:25,375
I understand, that would be a big mistake.
662
00:41:25,875 --> 00:41:27,125
Well yes.
663
00:41:27,208 --> 00:41:29,583
You would think
how you would like to do it,
664
00:41:29,666 --> 00:41:31,500
not how I want you to do it.
665
00:41:31,583 --> 00:41:32,666
Mm-hm.
666
00:41:32,750 --> 00:41:36,125
With my method you have to give
more of yourself in the moment.
667
00:41:36,708 --> 00:41:39,250
You invent
your way of staging
668
00:41:39,333 --> 00:41:40,958
gradually?
669
00:41:41,458 --> 00:41:44,583
In the moment?
670
00:41:45,458 --> 00:41:47,291
- See you tomorrow, everyone.
- Okay.
671
00:41:49,333 --> 00:41:51,458
- A glass of wine, please.
- Two.
672
00:41:51,541 --> 00:41:52,375
Three.
673
00:41:57,833 --> 00:41:59,208
The same.
674
00:41:59,291 --> 00:42:00,791
{\an8}Motor, Raoul.
675
00:42:01,375 --> 00:42:03,375
{\an8}So, you listen carefully to what I say to you.
676
00:42:03,458 --> 00:42:05,583
You go there
and you go down the stairs.
677
00:42:05,666 --> 00:42:09,250
- Things are going well, Jean-Luc.
- Come on. Turn, turn!
678
00:42:10,875 --> 00:42:11,916
Come on.
679
00:42:12,000 --> 00:42:14,875
See if you're in the newspaper.
See if your head is there.
680
00:42:14,958 --> 00:42:16,166
Aren't you there?
681
00:42:16,250 --> 00:42:18,541
So wipe your feet.
682
00:42:18,625 --> 00:42:20,291
It has to shine for Liliane.
683
00:42:24,416 --> 00:42:25,750
- Cut.
- It's cut.
684
00:42:26,500 --> 00:42:28,708
- Shall we do it again?
- No, it's not worth it.
685
00:42:28,791 --> 00:42:31,625
Okay, so let's go up. Come on, let's get busy!
686
00:42:38,250 --> 00:42:39,458
It's right here.
687
00:42:50,750 --> 00:42:51,750
Good morning.
688
00:42:52,250 --> 00:42:53,625
You are ahead.
689
00:42:54,250 --> 00:42:56,375
- Oh no, not...
- Not by much.
690
00:42:57,083 --> 00:42:58,458
I just got up.
691
00:42:58,541 --> 00:43:01,583
And you are beautiful.
Don't brush your hair.
692
00:43:02,208 --> 00:43:03,625
And don't wear makeup.
693
00:43:06,666 --> 00:43:08,500
No, leave that. Leave it, leave it.
694
00:43:09,166 --> 00:43:13,041
You, that, everything is perfect.
695
00:43:24,333 --> 00:43:26,875
Repeat!
696
00:43:26,958 --> 00:43:29,541
Come on, let's clear the room
for rehearsal.
697
00:43:29,625 --> 00:43:30,833
Anything.
698
00:43:33,791 --> 00:43:34,833
I will come back.
699
00:43:42,541 --> 00:43:45,000
- Raoul, what are we waiting for?
- Well...
700
00:43:51,083 --> 00:43:54,000
You know why Beau-Beau
and Benazeraf are there?
701
00:43:54,083 --> 00:43:56,083
To see you take off your bra.
702
00:43:56,166 --> 00:43:57,291
But I don't wear any.
703
00:43:58,625 --> 00:44:01,458
Beau-Beau, he is there
to protect its future box office.
704
00:44:02,541 --> 00:44:05,291
And Bénazéraf is just a bastard.
705
00:44:06,791 --> 00:44:09,500
When he says that,
do you want me to undress?
706
00:44:09,583 --> 00:44:10,916
Uh, wait.
707
00:44:11,416 --> 00:44:15,125
And if you put on your dress
over the head, first?
708
00:44:15,958 --> 00:44:18,375
And then,
you undress from below.
709
00:44:18,458 --> 00:44:21,250
That way, nudity would be suggested.
710
00:44:21,333 --> 00:44:23,125
Imagined. It would be stronger.
711
00:44:24,416 --> 00:44:28,625
I would like to make a plan that looks like
to that of Bergman in Summer Games.
712
00:44:28,708 --> 00:44:30,083
Which one do you see, Raoul?
713
00:44:31,000 --> 00:44:33,791
Um, I... I'm not sure.
714
00:44:33,875 --> 00:44:36,583
But yes, the plan
where she puts on her swimsuit.
715
00:44:36,666 --> 00:44:37,708
Oh.
716
00:44:38,708 --> 00:44:42,000
- Didn't you see it?
- No. I was in Vietnam, you know.
717
00:44:42,583 --> 00:44:45,791
Jean-Paul is coming soon.
Raoul, are you ready?
718
00:44:45,875 --> 00:44:48,250
Yes, always.
For a while, in fact.
719
00:44:48,333 --> 00:44:49,291
Yes.
720
00:44:50,166 --> 00:44:52,625
Suzon, the cup,
Was she already there before?
721
00:44:52,708 --> 00:44:55,208
- No, she wasn't there! THANKS.
- Stop.
722
00:44:55,875 --> 00:44:58,166
Why do we try to destroy
723
00:44:58,250 --> 00:45:00,666
the environment I'm trying to film?
724
00:45:01,250 --> 00:45:03,041
Because it won't fit.
725
00:45:03,958 --> 00:45:05,208
But Suzon,
726
00:45:05,291 --> 00:45:08,208
let's imagine that I leave
to record the sound of the forest
727
00:45:08,291 --> 00:45:11,416
and that, to understand nature well,
728
00:45:12,083 --> 00:45:14,166
I cut down all the trees,
729
00:45:14,666 --> 00:45:16,500
I kill all the animals.
730
00:45:17,083 --> 00:45:19,666
Would it be real? No !
731
00:45:19,750 --> 00:45:22,041
The reality doesn't add up.
732
00:45:22,666 --> 00:45:25,541
Yes, but there, Jean-Luc,
you have to be connected.
733
00:45:25,625 --> 00:45:26,958
"It's necessary" ! "It's necessary" !
734
00:45:27,041 --> 00:45:28,750
Nobody touches anything!
735
00:45:31,625 --> 00:45:32,875
Pardon.
736
00:45:35,583 --> 00:45:36,708
In place.
737
00:45:38,416 --> 00:45:40,791
Raoul, off-camera.
738
00:45:41,791 --> 00:45:44,000
Okay, I wanted to see
if everything went well.
739
00:45:46,500 --> 00:45:49,958
- Yes. When it happens. Huh, Jean-Luc?
- Good ! Come on, quickly.
740
00:45:50,041 --> 00:45:52,083
- How are you ?
- Yes. Sit there.
741
00:45:53,958 --> 00:45:55,208
Engine, Raoul.
742
00:45:55,291 --> 00:45:58,958
- And it works, Jean-Luc.
- “Do you have any money to lend me?”
743
00:45:59,708 --> 00:46:01,125
Do you have any money to lend me?
744
00:46:09,666 --> 00:46:12,583
Jean-Luc, there will be other sequences
with Liliane David?
745
00:46:12,666 --> 00:46:14,750
Yes, Liliane deserves more scenes.
746
00:46:14,833 --> 00:46:18,250
Liliane deserves a whole film,
just for her.
747
00:46:18,750 --> 00:46:20,625
You both should do it.
748
00:46:24,416 --> 00:46:26,750
- What ? Is it already over?
- Yes.
749
00:46:26,833 --> 00:46:27,833
Oh.
750
00:46:28,375 --> 00:46:29,708
- Oh.
- Good morning.
751
00:46:29,791 --> 00:46:33,458
- Did you come by taxi?
- Yes. I came to visit you.
752
00:46:33,541 --> 00:46:35,083
But you're done.
753
00:46:35,666 --> 00:46:38,000
- And tomorrow, are you working?
- Good morning.
754
00:46:38,083 --> 00:46:38,916
Yes.
755
00:46:39,000 --> 00:46:41,000
- So, no taxi.
- For what ?
756
00:46:41,083 --> 00:46:43,083
Are you going to send me a driver?
757
00:46:43,166 --> 00:46:46,500
There's no driver.
Come on foot. It will be better for Patricia.
758
00:46:47,791 --> 00:46:49,250
And what does Patricia do?
759
00:46:49,333 --> 00:46:51,583
Patricia. Patricia.
760
00:46:52,166 --> 00:46:54,500
And what does she do... Patricia?
761
00:46:55,250 --> 00:46:57,416
Apart from having to walk?
762
00:46:57,500 --> 00:47:00,208
It's okay not to always be
a holy shit.
763
00:47:00,708 --> 00:47:04,083
- I think you'll like it.
- I'm not a saint.
764
00:47:04,583 --> 00:47:05,583
Hmm.
765
00:47:05,666 --> 00:47:09,458
Besides, I could very well
letting you and your film down.
766
00:47:09,541 --> 00:47:11,833
Do you see? You start to understand.
767
00:47:13,125 --> 00:47:15,208
See you tomorrow. And on foot.
768
00:47:16,500 --> 00:47:20,666
- Patricia, Patricia.
- OK, there we go.
769
00:47:21,541 --> 00:47:23,750
{\an8}Artistic creation
770
00:47:23,833 --> 00:47:26,500
{\an8}is not to paint your soul
in things,
771
00:47:26,583 --> 00:47:28,625
{\an8}but to paint the soul of things.
772
00:47:28,708 --> 00:47:32,250
Cinema is the expression
beautiful feelings.
773
00:47:32,333 --> 00:47:35,375
So that's our scenario?
774
00:47:36,291 --> 00:47:42,125
You might be able to note
some of your beautiful sentiments.
775
00:47:42,208 --> 00:47:43,291
John,
776
00:47:44,125 --> 00:47:46,375
this is the story
of a boy and a girl
777
00:47:46,458 --> 00:47:49,333
who use the same words,
with different meanings.
778
00:47:49,916 --> 00:47:52,708
What is difficult and important...
779
00:47:52,791 --> 00:47:55,208
...is about moving into unknown territory.
780
00:47:56,750 --> 00:48:00,583
To be aware of the danger,
to take risks, to be afraid.
781
00:48:01,458 --> 00:48:04,000
Either he will die or he will kill the girl.
782
00:48:04,083 --> 00:48:05,750
Can we decide that now?
783
00:48:05,833 --> 00:48:06,791
We can't.
784
00:48:08,583 --> 00:48:10,458
We could, but you don't want to.
785
00:48:10,541 --> 00:48:14,541
Disappointments are temporary.
The film is eternal.
786
00:48:14,625 --> 00:48:17,833
Well, uh... Never mind the ending.
The main thing is to have fun.
787
00:48:19,708 --> 00:48:21,875
So, are we going to shoot?
788
00:48:22,458 --> 00:48:23,458
He's right.
789
00:48:26,708 --> 00:48:29,208
- What is that?
- Look what I found.
790
00:48:29,291 --> 00:48:31,625
- That's amazing.
- Where did you find this?
791
00:48:32,375 --> 00:48:34,000
We put the camera in there,
792
00:48:35,583 --> 00:48:38,833
with Raoul inside,
packages on top, and it is hidden.
793
00:48:38,916 --> 00:48:41,500
No one will suspect
let's make a film.
794
00:48:42,000 --> 00:48:44,416
- It's perfect.
- The extras will be free.
795
00:48:44,500 --> 00:48:45,875
But above all,
796
00:48:45,958 --> 00:48:48,416
they will be totally natural
and realistic.
797
00:48:48,500 --> 00:48:50,291
If it works, it's a deal.
798
00:48:52,708 --> 00:48:55,333
Uh, Raoul,
Are you going to get in there?
799
00:48:55,416 --> 00:48:56,416
Yes.
800
00:49:01,833 --> 00:49:04,333
Jean-Luc, in his contract,
Jean has a makeup artist.
801
00:49:04,416 --> 00:49:05,875
So let me introduce you to Phuong.
802
00:49:06,458 --> 00:49:09,041
- Good morning.
- Thank you, but we won't need you.
803
00:49:09,125 --> 00:49:11,416
No makeup in my film.
804
00:49:11,916 --> 00:49:14,333
- Is he kidding?
- Um... I'll sort that out.
805
00:49:14,416 --> 00:49:16,208
- But it's necessary.
- Jean-Luc.
806
00:49:16,291 --> 00:49:17,125
No, no.
807
00:49:17,208 --> 00:49:18,916
My costumes come from Prisunic.
808
00:49:19,416 --> 00:49:23,041
You could at least let me
put on a little makeup. Please.
809
00:49:24,375 --> 00:49:26,333
- Are you taking care of it? Okay.
- Yes.
810
00:49:28,250 --> 00:49:32,208
Jean-Luc, does Jean
could at least have a makeup artist?
811
00:49:32,291 --> 00:49:34,750
If only for safety,
when I work.
812
00:49:35,583 --> 00:49:37,916
I won't always be there,
and Phuong reassures her.
813
00:49:40,041 --> 00:49:43,083
- Is it really in his contract?
- His $15,000 contract.
814
00:49:47,666 --> 00:49:49,166
- All right.
- Perfect.
815
00:49:50,375 --> 00:49:52,458
Come on, camera.
816
00:49:52,541 --> 00:49:54,875
- Watch out for your head.
- Wait.
817
00:49:54,958 --> 00:49:57,416
Hop there, we are in place. Go ahead.
818
00:49:57,500 --> 00:49:58,916
- Attention.
- How are you ?
819
00:50:00,375 --> 00:50:02,958
Come on, packages. The packages.
820
00:50:05,875 --> 00:50:07,291
Put the tarpaulin on tightly.
821
00:50:09,416 --> 00:50:10,541
It's good ?
822
00:50:11,125 --> 00:50:12,500
Flawless.
823
00:50:16,708 --> 00:50:18,750
Jean, you are here to sell newspapers.
824
00:50:18,833 --> 00:50:20,875
Don't forget to shout,
from time to time.
825
00:50:20,958 --> 00:50:21,916
Engine, Raoul.
826
00:50:22,000 --> 00:50:25,166
- Play your games, nothing is going well.
- Come on, Patricia!
827
00:50:26,708 --> 00:50:29,333
New York Herald Tribune!
828
00:50:30,458 --> 00:50:32,875
New York Herald Tribune!
829
00:50:32,958 --> 00:50:34,458
Pure genius!
830
00:50:35,291 --> 00:50:36,583
I walk down the street,
831
00:50:36,666 --> 00:50:40,333
this guy films me with a camera
in a La Poste scooter
832
00:50:40,833 --> 00:50:44,916
and I say whatever comes to mind
because the dialogues will be dubbed.
833
00:50:45,000 --> 00:50:47,875
I don't have the slightest idea
what the hell I'm doing.
834
00:50:47,958 --> 00:50:49,291
Who cares, my little one.
835
00:50:50,583 --> 00:50:52,000
We're in the same boat
836
00:50:52,708 --> 00:50:55,458
and if we row together,
maybe we'll go somewhere.
837
00:50:55,958 --> 00:50:57,458
It's nonsense.
838
00:50:58,291 --> 00:51:01,666
And that's just the beginning.
New York Herald Tribune!
839
00:51:01,750 --> 00:51:04,541
- Okay, I'll get you one.
- Ah, that's nice.
840
00:51:05,625 --> 00:51:06,666
THANKS.
841
00:51:09,333 --> 00:51:10,541
No, I'm dry.
842
00:51:12,333 --> 00:51:13,416
THANKS.
843
00:51:13,500 --> 00:51:15,208
Until the zebra crossing!
844
00:51:16,041 --> 00:51:16,916
You look great.
845
00:51:17,000 --> 00:51:18,333
If you say so.
846
00:51:19,291 --> 00:51:20,916
Take his hat.
847
00:51:25,416 --> 00:51:26,333
So.
848
00:51:27,250 --> 00:51:30,291
- Kiss her on the cheek.
- No, it's her who kisses me.
849
00:51:30,375 --> 00:51:31,916
Kiss him on the cheek.
850
00:51:36,208 --> 00:51:38,708
Raymond, it's over! You're in the field!
851
00:51:38,791 --> 00:51:40,666
- Jeans !
- Yes?
852
00:51:40,750 --> 00:51:42,166
Go kiss Belmondo!
853
00:51:42,250 --> 00:51:43,375
NOW ?
854
00:51:43,458 --> 00:51:44,541
Course !
855
00:51:47,250 --> 00:51:49,833
I have to kiss you
and then you go there.
856
00:51:49,916 --> 00:51:50,916
Okay.
857
00:51:56,500 --> 00:51:57,666
Was it good?
858
00:51:58,333 --> 00:51:59,916
Alright. Cut!
859
00:52:00,000 --> 00:52:01,041
It's cut.
860
00:52:01,791 --> 00:52:05,916
- Is it too late to stop?
- Legally, never.
861
00:52:06,416 --> 00:52:09,000
Ethically, morally,
862
00:52:09,083 --> 00:52:10,083
probably not.
863
00:52:10,833 --> 00:52:13,083
- For your career...
- I don't care.
864
00:52:13,166 --> 00:52:15,916
How could you
convince me to do this?
865
00:52:16,000 --> 00:52:18,833
I wanted to make a film
with Truffaut or Chabrol.
866
00:52:18,916 --> 00:52:20,916
He is neither Truffaut nor Chabrol.
867
00:52:21,000 --> 00:52:23,666
No, he is neither Chabrol nor Truffaut.
868
00:52:24,250 --> 00:52:27,708
- He is Jean-Luc Godard. Who knows?
-"Come on, Patricia.
869
00:52:27,791 --> 00:52:30,125
“Maybe I’ll have a line for you.”
870
00:52:32,083 --> 00:52:34,833
It would be different
if the sound was live.
871
00:52:34,916 --> 00:52:38,458
If it was live, he couldn't
talk during takes.
872
00:52:39,916 --> 00:52:40,916
I want to stop.
873
00:52:44,250 --> 00:52:47,791
I want to listen to your problems
874
00:52:47,875 --> 00:52:52,041
and talk about it with you as much as you want,
but there's no way you're going to stop.
875
00:52:52,125 --> 00:52:53,375
No.
876
00:52:58,583 --> 00:52:59,625
Take me to dinner.
877
00:53:00,916 --> 00:53:01,791
Of course.
878
00:53:02,291 --> 00:53:03,791
Okay, Peter,
879
00:53:03,875 --> 00:53:05,708
Are we going or are we planning to miss it?
880
00:53:05,791 --> 00:53:07,041
Wait, Jean-Luc.
881
00:53:07,125 --> 00:53:09,416
I carefully timed
in recent weeks.
882
00:53:09,500 --> 00:53:12,708
I guarantee you I have an idea
much more than accurate at the moment.
883
00:53:12,791 --> 00:53:13,708
It happens.
884
00:53:13,791 --> 00:53:15,916
- Give a little warning beforehand, anyway.
- Yes.
885
00:53:18,458 --> 00:53:19,458
Okay.
886
00:53:20,250 --> 00:53:22,458
- Ready, Raoul?
- Always.
887
00:53:24,083 --> 00:53:25,916
- Engine !
- Hop there.
888
00:53:29,541 --> 00:53:30,750
It's running.
889
00:53:30,833 --> 00:53:32,583
Ah!
890
00:53:33,333 --> 00:53:36,083
Let it run.
891
00:53:36,166 --> 00:53:38,375
- And cut!
- And it's cut.
892
00:53:39,875 --> 00:53:42,000
- Not bad, huh?
- Alright.
893
00:53:42,083 --> 00:53:44,166
If every plan could be this easy.
894
00:53:44,666 --> 00:53:46,625
- Well done.
- THANKS.
895
00:53:52,458 --> 00:53:54,833
- You have to be careful.
- Yes.
896
00:53:54,916 --> 00:53:56,208
Ah, guess who it is.
897
00:53:57,125 --> 00:53:58,708
Brigitte Bardot?
898
00:53:58,791 --> 00:54:00,291
Natalie Wood?
899
00:54:00,375 --> 00:54:02,041
Sugarpuss O'Shea?
900
00:54:02,125 --> 00:54:03,458
New wave.
901
00:54:03,541 --> 00:54:05,083
Cinema notebooks.
902
00:54:06,750 --> 00:54:11,291
This film is both
a circle and a straight line.
903
00:54:14,625 --> 00:54:16,250
- Well done, Patricia.
- THANKS.
904
00:54:16,333 --> 00:54:17,750
Sit down, please.
905
00:54:18,333 --> 00:54:21,208
- I have a response for you.
- A key to the scenario?
906
00:54:21,291 --> 00:54:22,916
Listen to me, please.
907
00:54:24,458 --> 00:54:27,166
"Am I unhappy
because I am not free,
908
00:54:27,250 --> 00:54:29,500
"or not free
because I'm unhappy?"
909
00:54:29,583 --> 00:54:30,916
Be careful, trick question.
910
00:54:31,000 --> 00:54:34,833
"Am I unhappy because I'm not free
or not free because I'm unhappy?"
911
00:54:35,500 --> 00:54:39,375
Human beings
play with their lives every moment
912
00:54:39,458 --> 00:54:42,291
and they try to stage it.
913
00:54:42,875 --> 00:54:44,708
Argh! I know that.
914
00:54:46,791 --> 00:54:48,958
- Coutard!
- Godard!
915
00:54:49,041 --> 00:54:52,750
Well, while he gets ready,
I'm going to tell you a story.
916
00:54:53,375 --> 00:54:57,791
The fateful fate of Michel Poiccard
comes from Bogart
917
00:54:58,375 --> 00:55:00,916
in The Great Escape
and The Big Sleep.
918
00:55:01,500 --> 00:55:04,750
Think of Bogart in The Maltese Falcon.
919
00:55:04,833 --> 00:55:06,708
Try to embody that.
920
00:55:11,375 --> 00:55:13,291
The harder the fall will be...
921
00:55:13,375 --> 00:55:16,416
And to think that I spotted Jean-Paul
in an Allégret turnip.
922
00:55:16,500 --> 00:55:17,833
Oh, wait!
923
00:55:18,500 --> 00:55:19,875
Don't touch me.
924
00:55:19,958 --> 00:55:22,208
Get out of the way.
925
00:55:23,000 --> 00:55:26,833
And when the camera is on you,
wink. OK?
926
00:55:28,083 --> 00:55:29,500
Engine, Raoul.
927
00:55:31,500 --> 00:55:32,750
It's working, Jean.
928
00:55:32,833 --> 00:55:35,416
Meeting her at friends' house
929
00:55:35,916 --> 00:55:39,041
I said to her: “Mademoiselle
930
00:55:39,125 --> 00:55:42,291
"So what do you do for a living?"
931
00:55:42,375 --> 00:55:44,500
"Well," she replied
932
00:55:44,583 --> 00:55:47,333
"I sell apples
933
00:55:47,416 --> 00:55:49,666
"Pears
And scoubidoubidous"
934
00:55:49,750 --> 00:55:52,166
Don't tell me you're filming, Raoul.
935
00:55:52,250 --> 00:55:53,583
Wink.
936
00:55:54,791 --> 00:55:56,583
Okay. Shall we move on?
937
00:56:01,708 --> 00:56:05,166
{\an8}Balducci.
Cinematic glory awaits you.
938
00:56:05,250 --> 00:56:06,666
We need you at the front.
939
00:56:06,750 --> 00:56:10,125
- What ?
- Hmm. I have a role for you.
940
00:56:10,208 --> 00:56:11,833
- Me ?
- Yes.
941
00:56:12,333 --> 00:56:14,541
And you will be impeccable.
942
00:56:15,083 --> 00:56:17,125
You too, Lila, will be perfect.
943
00:56:17,708 --> 00:56:18,708
So...
944
00:56:19,708 --> 00:56:22,541
We start with this scene.
Learn your dialogues.
945
00:56:22,625 --> 00:56:24,250
Jean-Luc, let me recap.
946
00:56:24,333 --> 00:56:26,791
Roland Tolmatchoff
was to play the gangster Balducci.
947
00:56:26,875 --> 00:56:29,166
He didn't come,
so our press officer,
948
00:56:29,250 --> 00:56:32,750
who, as luck would have it, is called Balducci,
will play the role of the gangster.
949
00:56:32,833 --> 00:56:35,041
But you change his name to Tolmatchoff.
950
00:56:35,833 --> 00:56:38,458
Exactly.
Everything this scene needs.
951
00:56:39,000 --> 00:56:40,416
Spontaneity.
952
00:56:44,291 --> 00:56:45,291
- Rissient.
- Yes ?
953
00:56:45,375 --> 00:56:46,583
What are we waiting for?
954
00:56:46,666 --> 00:56:49,000
- Well, we're ready.
- No, two seconds.
955
00:56:49,083 --> 00:56:50,500
In two seconds.
956
00:56:53,791 --> 00:56:55,666
The guy you're talking to,
957
00:56:56,583 --> 00:56:58,208
he has a first name, Antonio.
958
00:56:58,708 --> 00:57:01,250
Antonio.
Come on, deal with Balducci.
959
00:57:01,333 --> 00:57:04,875
- What is his phone again?
- Élysées-99-84.
960
00:57:04,958 --> 00:57:07,166
- Can I do it from here?
- Go ahead.
961
00:57:11,083 --> 00:57:14,000
- Who is the girl you came to see?
- A New Yorker.
962
00:57:14,500 --> 00:57:16,916
- Pretty ?
- She's funny, I like her.
963
00:57:19,666 --> 00:57:22,833
{\an8}Hello?
Élysées ninety-nine eighty-four?
964
00:57:23,333 --> 00:57:25,166
{\an8}Could I talk to Antonio?
965
00:57:26,333 --> 00:57:28,041
Ah good ?
966
00:57:28,125 --> 00:57:29,958
- Goodbye, son!
- Ciao, amigo.
967
00:57:33,041 --> 00:57:34,291
But that's not true!
968
00:57:35,583 --> 00:57:36,708
Again ?
969
00:57:39,416 --> 00:57:42,166
You are late. And slow.
970
00:57:42,250 --> 00:57:43,583
- Cut.
- It's cut.
971
00:57:44,291 --> 00:57:45,291
- Balducci.
- Yes ?
972
00:57:45,375 --> 00:57:46,791
Faster, the phone.
973
00:57:46,875 --> 00:57:48,916
And you, Boulanger, Fabre.
974
00:57:49,625 --> 00:57:51,375
When he sets his foot here,
975
00:57:52,500 --> 00:57:53,750
go ahead.
976
00:57:57,500 --> 00:57:59,833
Come on, one more time. And better.
977
00:58:00,750 --> 00:58:03,750
- If they are late, we can slow down.
- We're not slowing down.
978
00:58:03,833 --> 00:58:07,291
Cinema is a revolutionary art.
It is the sensation of movement.
979
00:58:07,375 --> 00:58:10,000
In any case,
if we don't let you make films anymore,
980
00:58:10,083 --> 00:58:12,125
you will make an excellent trolley operator.
981
00:58:15,583 --> 00:58:18,583
Well, then, Jean-Luc.
Are you all alone here?
982
00:58:18,666 --> 00:58:20,166
We are always alone.
983
00:58:21,791 --> 00:58:24,375
On a shoot
like in front of a blank page.
984
00:58:24,916 --> 00:58:27,541
To be alone,
it means asking questions.
985
00:58:27,625 --> 00:58:29,916
And make films,
that means responding to it.
986
00:58:30,000 --> 00:58:32,291
Nothing is more classically romantic.
987
00:58:32,375 --> 00:58:35,416
I love romance
early morning shoots.
988
00:58:41,916 --> 00:58:43,625
Duke Ellington once said:
989
00:58:43,708 --> 00:58:46,375
"I don't need time,
but with a deadline."
990
00:58:47,083 --> 00:58:49,083
If we are honest and sincere
991
00:58:49,166 --> 00:58:50,750
and our backs are against the wall,
992
00:58:50,833 --> 00:58:53,250
the result will be
necessarily honest and sincere.
993
00:58:53,333 --> 00:58:54,458
Yes.
994
00:58:55,291 --> 00:58:57,875
You have very beautiful writing.
995
00:58:59,666 --> 00:59:01,375
The precise facts of the day.
996
00:59:02,750 --> 00:59:04,041
Oh, thank you.
997
00:59:17,750 --> 00:59:19,625
- Cut.
- It's cut.
998
00:59:20,541 --> 00:59:22,541
- Well done.
- Well done.
999
00:59:26,083 --> 00:59:27,083
Does that suit you?
1000
00:59:29,083 --> 00:59:31,083
- I don't know.
- For me, it's good.
1001
00:59:32,166 --> 00:59:33,333
Okay, okay. We're going back.
1002
00:59:40,208 --> 00:59:42,083
- Engine.
- It's running.
1003
00:59:43,916 --> 00:59:44,791
Wheel.
1004
00:59:46,083 --> 00:59:47,125
Come on !
1005
01:00:15,166 --> 01:00:16,958
- Cut.
- It's cut.
1006
01:00:19,000 --> 01:00:20,333
So how was it?
1007
01:00:20,416 --> 01:00:22,041
- For me, it was good.
- Yes.
1008
01:00:24,083 --> 01:00:27,083
Well what?
Do you want me to be satisfied?
1009
01:00:27,958 --> 01:00:30,000
Well, so are we going back?
1010
01:00:30,083 --> 01:00:31,416
- No.
- No ?
1011
01:00:31,500 --> 01:00:32,750
It's too obvious.
1012
01:00:33,708 --> 01:00:34,833
We're going there.
1013
01:00:35,541 --> 01:00:37,958
Rivette, lie down.
1014
01:00:38,500 --> 01:00:40,125
We continue from there.
1015
01:00:40,208 --> 01:00:42,375
No waterfall, we will be shocked by the sound.
1016
01:00:42,458 --> 01:00:43,791
What do you mean by the sound?
1017
01:00:44,708 --> 01:00:46,833
Off-camera is more evocative.
1018
01:00:49,541 --> 01:00:51,583
It's costing us money, this stunt.
1019
01:00:52,083 --> 01:00:53,500
It's running.
1020
01:01:08,250 --> 01:01:09,166
Cut.
1021
01:01:13,375 --> 01:01:14,375
It's over.
1022
01:01:15,875 --> 01:01:17,583
Thank you, Jacques. You are a true friend.
1023
01:01:18,083 --> 01:01:19,000
Is that all?
1024
01:01:19,750 --> 01:01:21,458
Don't I get a close-up?
1025
01:01:22,125 --> 01:01:24,750
No, no close-up.
1026
01:01:26,875 --> 01:01:29,666
- But immortality, nonetheless.
- THANKS.
1027
01:01:30,250 --> 01:01:32,250
{\an8}And after that, what would you say?
1028
01:01:32,750 --> 01:01:33,791
Of course.
1029
01:01:34,500 --> 01:01:36,666
Of course. Of course !
1030
01:01:37,708 --> 01:01:41,125
I have something to show you.
In the metro, a stone's throw from here.
1031
01:01:41,208 --> 01:01:42,916
Come everyone. Come, come!
1032
01:01:43,000 --> 01:01:45,166
- Come on, Jean-Luc. Come on.
- Come on !
1033
01:01:45,666 --> 01:01:46,666
Perfect.
1034
01:01:48,583 --> 01:01:50,166
What are we doing here again?
1035
01:01:50,250 --> 01:01:52,416
Guess who's spinning here
and wants to greet you.
1036
01:01:52,500 --> 01:01:55,416
- I hope it's worth it for you.
- You know me!
1037
01:01:55,500 --> 01:01:57,250
- Exactly.
- Oh !
1038
01:02:06,083 --> 01:02:08,583
Ah, well, look who's going there.
Right here, Jean-Luc.
1039
01:02:08,666 --> 01:02:10,958
- Who? Where?
- Look straight ahead.
1040
01:02:11,041 --> 01:02:14,250
- Be careful, finally!
- Easy on the bottle, son.
1041
01:02:15,500 --> 01:02:17,333
- How are you !
- I don't know who it is.
1042
01:02:17,416 --> 01:02:19,000
Mr Robert Bresson!
1043
01:02:19,083 --> 01:02:21,000
French cinema in person.
1044
01:02:21,083 --> 01:02:22,458
Jean-Luc!
1045
01:02:22,958 --> 01:02:25,958
Are you missing something? Hmm ?
1046
01:02:26,041 --> 01:02:27,750
A better ending for my film?
1047
01:02:28,708 --> 01:02:32,583
I present to you Kassagi,
the best pickpocket in the world.
1048
01:02:33,083 --> 01:02:35,416
- Shall we exchange?
- No, it's empty.
1049
01:02:35,500 --> 01:02:36,625
I'll take this!
1050
01:02:40,291 --> 01:02:42,708
Oh...
1051
01:02:47,000 --> 01:02:50,833
I only had four days
with a crowd of extras.
1052
01:02:51,666 --> 01:02:53,708
Until then, I can manage.
1053
01:02:54,208 --> 01:02:56,583
But they are the same people
every day.
1054
01:02:57,083 --> 01:02:59,500
I have stations,
racetracks, subways
1055
01:02:59,583 --> 01:03:01,958
and all these places
are filled with the same heads.
1056
01:03:02,583 --> 01:03:04,791
I try to hide this,
but it's ridiculous.
1057
01:03:06,125 --> 01:03:08,958
This is the kind of problem
that I would love to have.
1058
01:03:09,041 --> 01:03:12,000
- Maybe it will happen to you one day.
- Who knows.
1059
01:03:15,666 --> 01:03:18,125
Do you still work with Bresson?
1060
01:03:18,208 --> 01:03:19,208
Well yeah.
1061
01:03:20,083 --> 01:03:21,416
How lucky.
1062
01:03:52,541 --> 01:03:53,875
Good.
1063
01:03:53,958 --> 01:03:56,208
Let's see
what we are going to shoot today.
1064
01:03:57,583 --> 01:04:00,416
Good luck
to crack this spy code.
1065
01:04:01,166 --> 01:04:03,666
He must have already changed his mind,
anyway.
1066
01:04:03,750 --> 01:04:08,500
But he didn't throw that away
because he wanted to do it? If ?
1067
01:04:12,708 --> 01:04:14,125
- Rock ?
- Yes ?
1068
01:04:14,208 --> 01:04:15,875
That's all for today.
1069
01:04:19,041 --> 01:04:21,458
We didn't even shoot.
1070
01:04:21,541 --> 01:04:23,125
Maybe he's throwing in the towel.
1071
01:04:23,208 --> 01:04:26,291
I'm not sure, no.
1072
01:04:32,000 --> 01:04:35,000
- I wonder what he will show us.
- I don't know.
1073
01:04:38,791 --> 01:04:39,875
Good morning.
1074
01:04:41,875 --> 01:04:42,958
Good morning.
1075
01:04:46,916 --> 01:04:47,916
Hmm.
1076
01:04:49,416 --> 01:04:51,041
Another quote.
1077
01:04:53,000 --> 01:04:54,166
Why not ?
1078
01:04:54,250 --> 01:04:57,375
If something needs to be said,
There is only one solution, to say it.
1079
01:04:57,958 --> 01:05:00,791
It's not so much where I take things,
but where am I taking them.
1080
01:05:00,875 --> 01:05:02,833
Jean and I can share this pile
1081
01:05:02,916 --> 01:05:04,500
et les lire à la caméra.
1082
01:05:04,583 --> 01:05:06,291
- Good idea.
- THANKS.
1083
01:05:07,000 --> 01:05:09,083
"Immature poets imitate,
1084
01:05:09,166 --> 01:05:11,208
“mature poets fly.”
1085
01:05:11,750 --> 01:05:13,208
T.S. Eliot.
1086
01:05:13,291 --> 01:05:17,916
A quote about the quote.
1087
01:05:18,000 --> 01:05:20,625
I understand why
I'm playing a thief, all of a sudden.
1088
01:05:23,291 --> 01:05:24,708
Paul Gauguin said:
1089
01:05:25,666 --> 01:05:28,083
"Art is either plagiarism,
1090
01:05:28,583 --> 01:05:30,750
“be the revolution.”
1091
01:05:33,625 --> 01:05:34,875
You say:
1092
01:05:34,958 --> 01:05:36,750
“I’ll be back in a sec.”
1093
01:05:36,833 --> 01:05:40,250
And you: “The French
always say 'one second'
1094
01:05:40,333 --> 01:05:42,041
"to say 'five minutes'."
1095
01:05:42,125 --> 01:05:43,166
No joke.
1096
01:05:43,250 --> 01:05:45,958
- Engine, Raoul.
- Things are going well, Jean-Luc.
1097
01:05:48,000 --> 01:05:48,875
Come on.
1098
01:05:48,958 --> 01:05:51,333
I'll be back in a second.
1099
01:05:51,416 --> 01:05:55,041
The French always say "une sec"
to say "five minutes".
1100
01:05:55,708 --> 01:05:56,833
Let it run.
1101
01:05:57,458 --> 01:05:59,208
It turns, it turns.
1102
01:06:06,250 --> 01:06:08,083
- Cut.
- And it's cut.
1103
01:06:09,208 --> 01:06:10,208
Do you want to do it again?
1104
01:06:10,291 --> 01:06:12,166
If you want. For me, it's good.
1105
01:06:12,791 --> 01:06:14,041
Okay, then we're going to eat.
1106
01:06:14,541 --> 01:06:17,416
Wait, wait, Jean-Luc.
You mean that...
1107
01:06:17,500 --> 01:06:20,625
- That's it for today, I'm hungry.
- Oh yes.
1108
01:06:21,458 --> 01:06:24,458
A film is suffering,
but also joy.
1109
01:06:24,541 --> 01:06:27,375
Yes, why are you so sad?
What's going on?
1110
01:06:28,500 --> 01:06:29,500
Hmm ?
1111
01:06:30,083 --> 01:06:33,208
I was thinking of making a film
where everything would be permitted. I can't do it.
1112
01:06:33,291 --> 01:06:35,250
Do you know what Braunberger told me?
1113
01:06:35,333 --> 01:06:38,250
- A Hollywood maxim.
- “We are only happy at home”?
1114
01:06:38,333 --> 01:06:41,041
That each film is made up
from five different films.
1115
01:06:41,125 --> 01:06:43,958
The film we write,
the film whose roles are distributed,
1116
01:06:44,041 --> 01:06:47,208
the film we are shooting,
the film we edit and the film we release.
1117
01:06:47,708 --> 01:06:50,416
So it's not too late
for “anything goes”?
1118
01:06:50,500 --> 01:06:53,541
Well, far from it.
Things change all the time.
1119
01:06:53,625 --> 01:06:56,916
Do you remember when you were supposed to be
a great novelist?
1120
01:06:57,416 --> 01:06:58,875
We had a narrow escape, eh.
1121
01:06:58,958 --> 01:07:01,250
When you were drying
anthropology courses,
1122
01:07:01,333 --> 01:07:03,583
you bragged about writing 30 pages
every morning.
1123
01:07:03,666 --> 01:07:05,916
I wanted to publish
a novel by Gallimard.
1124
01:07:06,000 --> 01:07:08,250
Astruc had done it, I wanted to get there.
1125
01:07:08,333 --> 01:07:10,791
- Did you really write 30 pages a day?
- No.
1126
01:07:10,875 --> 01:07:12,750
It wasn't good.
1127
01:07:12,833 --> 01:07:15,416
It was too difficult,
comme des mathématiques.
1128
01:07:16,583 --> 01:07:18,041
No, I wrote:
1129
01:07:18,750 --> 01:07:22,166
"Il fait beau, le train entre en gare."
1130
01:07:22,708 --> 01:07:25,625
Et puis, après, je patientais des heures.
I was wondering:
1131
01:07:25,708 --> 01:07:30,708
"Mais j'aurais pas pu écrire l'inverse ?
'Le train entre en gare, il fait beau.'"
1132
01:07:33,291 --> 01:07:34,833
Puis j'écrivais : "Il pleut."
1133
01:07:34,916 --> 01:07:37,750
Oui, donc c'était pas du tout
30 pages per day.
1134
01:07:38,708 --> 01:07:40,458
Le cinéma, c'est plus simple.
1135
01:07:40,541 --> 01:07:43,458
Voir des films me délivre
de la terreur de l'écriture.
1136
01:07:43,541 --> 01:07:47,333
Hmm. Voir des films me délivre
de la terreur de garder un vrai boulot.
1137
01:07:47,416 --> 01:07:50,625
As a kid, watching films freed me
of the terror of school.
1138
01:07:50,708 --> 01:07:53,541
I have seen 200 films
by playing hooky from school,
1139
01:07:53,625 --> 01:07:56,791
and now it sets me free
of the terror of real life.
1140
01:07:58,666 --> 01:07:59,750
But be careful.
1141
01:08:00,500 --> 01:08:03,375
Watching films should not free us
1142
01:08:03,458 --> 01:08:05,333
of the terror of doing them.
1143
01:08:05,416 --> 01:08:06,416
Exactly.
1144
01:08:07,666 --> 01:08:08,541
Come on.
1145
01:08:13,791 --> 01:08:17,666
- I wish you were in the film.
- And return Belmondo's game?
1146
01:08:17,750 --> 01:08:19,916
But no, stupid.
1147
01:08:20,916 --> 01:08:21,916
No.
1148
01:08:23,500 --> 01:08:26,833
It would be perfect if you played
the man who recognizes Poiccard
1149
01:08:26,916 --> 01:08:28,583
and who reports him to the cops.
1150
01:08:28,666 --> 01:08:31,166
Ah good ?
Je t'ai toujours vu, toi, dans le rôle.
1151
01:08:31,250 --> 01:08:33,750
- Oh, well, yes!
- Huh, Suzanne?
1152
01:08:33,833 --> 01:08:37,083
- Oh, that would be perfect.
- Yes, you would be admirable.
1153
01:08:40,125 --> 01:08:41,958
{\an8}- Hello? Yeah.
- Raoul?
1154
01:08:42,041 --> 01:08:43,666
We can't film today.
1155
01:08:43,750 --> 01:08:46,166
Call Rissient
so that he can warn the team
1156
01:08:46,250 --> 01:08:48,375
and one of you calls Beauregard.
1157
01:08:48,458 --> 01:08:49,833
But not before nine o'clock.
1158
01:08:50,375 --> 01:08:51,791
I don't feel well.
1159
01:08:51,875 --> 01:08:53,875
I must have eaten a bad pizza.
1160
01:09:03,500 --> 01:09:06,458
Ah! The patient himself.
1161
01:09:06,541 --> 01:09:08,500
I really don't feel well.
1162
01:09:08,583 --> 01:09:10,750
Truth be told, I feel absolutely mortal.
1163
01:09:11,458 --> 01:09:13,291
You can't make yourself look pale.
1164
01:09:13,375 --> 01:09:16,208
In two weeks,
we had eight half days, and then some.
1165
01:09:16,291 --> 01:09:17,958
Some lasted two hours.
1166
01:09:18,041 --> 01:09:20,875
- You only remember the negative.
- I am a producer.
1167
01:09:20,958 --> 01:09:23,041
But I don't care about money.
1168
01:09:23,125 --> 01:09:24,625
Especially when it's mine.
1169
01:09:24,708 --> 01:09:27,125
But the important thing,
It’s about controlling money.
1170
01:09:28,041 --> 01:09:29,416
Money is time.
1171
01:09:29,500 --> 01:09:33,041
You have to be able to spend it
at his own pace and according to his pleasure.
1172
01:09:33,125 --> 01:09:36,041
- This is the genius of my system.
- But it's bullshit!
1173
01:09:36,125 --> 01:09:38,458
And your rhythm
is not at all to my taste.
1174
01:09:38,541 --> 01:09:41,083
But still, it's the right rhythm.
1175
01:09:41,583 --> 01:09:42,916
For me and for my film.
1176
01:09:43,000 --> 01:09:46,833
What would be good would perhaps be
to stop to limit the damage.
1177
01:09:46,916 --> 01:09:49,791
I block salaries
if you reduce the days
1178
01:09:49,875 --> 01:09:52,291
or if you cancel again
one day of filming.
1179
01:09:54,458 --> 01:09:55,875
Oh, oh!
1180
01:09:55,958 --> 01:09:57,166
Come on, Beau-Beau.
1181
01:09:57,750 --> 01:10:00,375
Come on !
1182
01:10:00,458 --> 01:10:01,958
Come on, fight.
1183
01:10:02,041 --> 01:10:03,916
- Stop!
- Come on !
1184
01:10:04,000 --> 01:10:06,958
Stop! Stop there! It's good.
1185
01:10:07,458 --> 01:10:09,416
Ouch.
1186
01:10:09,500 --> 01:10:12,083
I try to grasp
random reality, Beauregard.
1187
01:10:12,166 --> 01:10:14,333
Trust me.
You will thank me for it.
1188
01:10:14,416 --> 01:10:16,791
Well, get over it
to seize it full time!
1189
01:10:16,875 --> 01:10:18,625
That's the reality of filming.
1190
01:10:19,625 --> 01:10:22,791
- Come on, let's go out. Go ahead, get out.
- How are you !
1191
01:10:27,708 --> 01:10:30,833
{\an8}Well, Beau-Beau told me
to read this letter to you.
1192
01:10:30,916 --> 01:10:34,583
“Filming cannot be interrupted
without the agreement of the producer.
1193
01:10:34,666 --> 01:10:37,875
"The producer places his trust
to the director and the team,
1194
01:10:37,958 --> 01:10:39,791
“but this trust has been betrayed.
1195
01:10:39,875 --> 01:10:42,833
"These first weeks,
The schedule was not respected."
1196
01:10:42,916 --> 01:10:45,583
Is there a schedule?
1197
01:10:45,666 --> 01:10:47,083
“This cannot continue.
1198
01:10:47,666 --> 01:10:49,916
"We ask
to the director and the team
1199
01:10:50,000 --> 01:10:53,000
"to work honestly
like a normal production..."
1200
01:10:53,083 --> 01:10:56,666
- As if it were a normal production.
- No, and thank God.
1201
01:10:57,958 --> 01:11:01,250
"...and not to push back
which can be done the same day."
1202
01:11:01,333 --> 01:11:03,791
- There you go.
- Beau-Beau is back on track.
1203
01:11:05,125 --> 01:11:07,000
Okay, so what do we do?
1204
01:11:07,083 --> 01:11:08,291
I don't know.
1205
01:11:17,333 --> 01:11:19,166
Well, it's all just noise.
1206
01:11:19,250 --> 01:11:20,666
It doesn't affect us.
1207
01:11:22,958 --> 01:11:24,583
Let's not lose courage.
1208
01:11:28,833 --> 01:11:30,583
Let's continue our quest
1209
01:11:31,625 --> 01:11:32,833
of the snapshot
1210
01:11:32,916 --> 01:11:34,083
and the unexpected,
1211
01:11:34,166 --> 01:11:36,291
as only we are capable of it.
1212
01:11:45,750 --> 01:11:48,125
It's not the right time.
We have direct sun.
1213
01:11:48,791 --> 01:11:50,666
I find it extraordinary.
1214
01:11:51,416 --> 01:11:54,083
Let's force the film
to give the maximum of herself
1215
01:11:54,166 --> 01:11:56,375
by doing
what it is not made for.
1216
01:11:57,375 --> 01:11:58,833
She too can suffer
1217
01:11:58,916 --> 01:12:01,791
while being exploited
beyond its possibilities.
1218
01:12:01,875 --> 01:12:02,875
Yeah.
1219
01:12:03,791 --> 01:12:05,333
Why us and not her?
1220
01:12:06,708 --> 01:12:08,083
I really like this idea.
1221
01:12:09,416 --> 01:12:11,666
That the film too
or out of breath.
1222
01:12:12,333 --> 01:12:13,291
Patricia.
1223
01:12:13,375 --> 01:12:15,166
- Cut !
- It's cut.
1224
01:12:15,250 --> 01:12:16,541
No, no, no!
1225
01:12:16,625 --> 01:12:17,458
What?
1226
01:12:17,541 --> 01:12:20,541
- Only the essential gestures.
- I'm groping to find them.
1227
01:12:20,625 --> 01:12:23,250
But you've already found them! Courage.
1228
01:12:23,875 --> 01:12:26,875
- You could hold my face.
- Yeah.
1229
01:12:27,625 --> 01:12:30,458
- What are you filming?
- A documentary.
1230
01:12:30,541 --> 01:12:34,541
On Jean-Paul Belmondo
and Jean Seberg who star in a film.
1231
01:12:36,000 --> 01:12:38,458
A documentary would have live sound.
1232
01:12:38,541 --> 01:12:40,375
What is it?
1233
01:12:40,458 --> 01:12:41,291
What?
1234
01:12:41,375 --> 01:12:42,750
No, nothing.
1235
01:12:42,833 --> 01:12:44,333
Engine, Raoul.
1236
01:12:44,416 --> 01:12:45,916
It's working, Jean-Luc.
1237
01:12:46,666 --> 01:12:47,583
Come on !
1238
01:12:48,083 --> 01:12:49,250
Patricia.
1239
01:12:58,375 --> 01:12:59,375
Well done !
1240
01:13:10,041 --> 01:13:11,666
That, I leave. Hop.
1241
01:13:13,041 --> 01:13:15,333
- The magazine.
- The magazine?
1242
01:13:15,416 --> 01:13:17,416
- Leave the magazine.
- Oh, excuse me.
1243
01:13:21,500 --> 01:13:23,333
Six, seven, eight.
1244
01:13:27,750 --> 01:13:29,083
No, right!
1245
01:13:30,000 --> 01:13:31,666
And then... Ah.
1246
01:13:32,916 --> 01:13:35,458
- Oh.
- Oh.
1247
01:13:35,541 --> 01:13:36,500
Again.
1248
01:13:36,583 --> 01:13:38,708
Is this the new fashion in America?
1249
01:13:39,458 --> 01:13:42,500
Not in Iowa.
1250
01:13:43,458 --> 01:13:44,583
Take your book.
1251
01:13:46,083 --> 01:13:47,916
“Do you know William Faulkner?”
1252
01:13:48,416 --> 01:13:50,083
Do you know William Faulkner?
1253
01:13:50,166 --> 01:13:51,916
“No, who is it?
Did you sleep with him?"
1254
01:13:52,000 --> 01:13:55,208
No, who is it? Did you sleep with him?
1255
01:13:55,291 --> 01:13:56,958
But no, my friend.
1256
01:14:00,208 --> 01:14:01,208
THANKS.
1257
01:14:01,708 --> 01:14:03,458
Thank you, Sam Fuller.
1258
01:14:03,541 --> 01:14:05,875
Thanks for the Forty Killers.
1259
01:14:05,958 --> 01:14:07,458
And thank you for this plan.
1260
01:14:07,541 --> 01:14:08,541
Plagiarism.
1261
01:14:09,041 --> 01:14:11,250
But it's not plagiarism,
it’s a tribute.
1262
01:14:11,958 --> 01:14:13,500
Faulkner's style was born
1263
01:14:13,583 --> 01:14:16,291
of his incapacity
to write lyrical poetry,
1264
01:14:16,375 --> 01:14:18,500
and my cinematic style was born...
1265
01:14:18,583 --> 01:14:21,583
An inability to write a screenplay?
1266
01:14:23,333 --> 01:14:24,458
Touch.
1267
01:14:27,958 --> 01:14:30,458
She didn't have the same striped sweater,
just now.
1268
01:14:30,541 --> 01:14:33,083
Well, yes. She changed.
1269
01:14:33,166 --> 01:14:36,583
And looks aren't okay.
You keep crossing the line.
1270
01:14:37,166 --> 01:14:40,583
During editing, we will believe
that they look in the same direction.
1271
01:14:40,666 --> 01:14:42,166
Suzon, I know.
1272
01:14:42,250 --> 01:14:44,208
I understand and I don't care.
1273
01:14:44,291 --> 01:14:47,208
It's not following the rules
that I will get where I want.
1274
01:14:51,625 --> 01:14:53,708
Little game. Engine, Raoul.
1275
01:14:53,791 --> 01:14:55,208
It's working, Jean-Luc.
1276
01:14:56,416 --> 01:14:57,416
Joy.
1277
01:14:59,208 --> 01:15:00,291
Tranquility.
1278
01:15:02,166 --> 01:15:04,041
- Surprise.
- Oh!
1279
01:15:04,750 --> 01:15:05,958
Confusion.
1280
01:15:07,916 --> 01:15:08,958
Sadness.
1281
01:15:11,041 --> 01:15:12,041
Disgust.
1282
01:15:13,791 --> 01:15:15,750
Fear.
1283
01:15:15,833 --> 01:15:17,125
- Horror.
- Oh!
1284
01:15:17,625 --> 01:15:19,708
Despair.
1285
01:15:20,500 --> 01:15:21,500
Joy.
1286
01:15:22,583 --> 01:15:23,541
Cut.
1287
01:15:24,041 --> 01:15:25,041
It's cut.
1288
01:15:26,166 --> 01:15:29,041
- Don't you think that's funny?
- It's okay, it's funny.
1289
01:15:29,125 --> 01:15:32,541
To cross the room...
...you have to crawl on the bed.
1290
01:15:32,625 --> 01:15:33,958
Exactly.
1291
01:15:34,041 --> 01:15:36,833
I think he did it on purpose
to choose this hotel
1292
01:15:36,916 --> 01:15:39,708
because he has the rooms
the smallest.
1293
01:15:40,208 --> 01:15:41,833
Absolutely.
1294
01:15:41,916 --> 01:15:44,583
He stayed here the first time
that he came to Paris.
1295
01:15:44,666 --> 01:15:47,041
I think this place matters to him.
1296
01:15:47,125 --> 01:15:49,041
But no one knows why.
1297
01:15:50,041 --> 01:15:51,041
So,
1298
01:15:51,708 --> 01:15:55,541
you tell him your reply while passing by,
even in the bathroom.
1299
01:15:55,625 --> 01:15:57,958
You stay on the bed,
then you follow her,
1300
01:15:58,041 --> 01:16:00,083
passing right in front of the window.
1301
01:16:00,166 --> 01:16:01,625
- It's good ?
- It's good.
1302
01:16:01,708 --> 01:16:04,833
- Engine, Raoul.
- And it works, Jean-Luc.
1303
01:16:04,916 --> 01:16:06,791
Come on.
1304
01:16:06,875 --> 01:16:08,625
Come on, don't be so upset.
1305
01:16:08,708 --> 01:16:11,000
I'm never alone when I want.
1306
01:16:16,083 --> 01:16:17,000
Cut.
1307
01:16:17,083 --> 01:16:19,416
"Dear Pierre Braunberger,
1308
01:16:19,500 --> 01:16:22,958
"don't regret not having produced
Out of breath.
1309
01:16:23,041 --> 01:16:27,000
"If de Beauregard makes money with it,
he deserves it.
1310
01:16:27,083 --> 01:16:29,916
"If he loses, he deserves it."
1311
01:16:30,416 --> 01:16:34,166
"Seberg is distraught
and regrets making the film.
1312
01:16:34,666 --> 01:16:37,833
"We're filming at the moment
really day to day.
1313
01:16:37,916 --> 01:16:42,250
"I write the scenes
with breakfast at Dupont Montparnasse.
1314
01:16:42,333 --> 01:16:45,958
"In the rush, the whole team,
including the operator,
1315
01:16:46,041 --> 01:16:48,041
"finds the photo disgusting.
1316
01:16:48,125 --> 01:16:50,583
"I find it quite extraordinary."
1317
01:16:52,000 --> 01:16:54,416
{\an8}Hello Sadness
is a good adaptation.
1318
01:16:55,541 --> 01:16:56,791
It works.
1319
01:16:57,708 --> 01:17:00,708
But we should never
adapting books to cinema.
1320
01:17:01,750 --> 01:17:04,791
The cinema should be adapted to the book.
1321
01:17:04,875 --> 01:17:06,083
Any book?
1322
01:17:06,166 --> 01:17:08,125
Any one.
1323
01:17:08,625 --> 01:17:09,833
Even the Bible?
1324
01:17:11,375 --> 01:17:14,583
If I had to adapt the life of Jesus,
1325
01:17:15,166 --> 01:17:16,166
well...
1326
01:17:16,916 --> 01:17:19,416
I would film
scenes cut from the Bible.
1327
01:17:19,500 --> 01:17:22,666
And the scenario,
Would these be quotes from Renoir?
1328
01:17:22,750 --> 01:17:24,125
And Rossellini.
1329
01:17:24,208 --> 01:17:26,666
Their quotes
are the Holy Scriptures.
1330
01:17:27,291 --> 01:17:28,541
Amen.
1331
01:17:28,625 --> 01:17:31,708
Okay then, now make me a Bogie
1332
01:17:32,500 --> 01:17:34,791
and give me
your best Bogart line.
1333
01:17:39,625 --> 01:17:42,000
- Obviously, none come to me now.
- Finally !
1334
01:17:42,583 --> 01:17:46,291
"Maybe not today,
maybe not tomorrow,
1335
01:17:46,375 --> 01:17:49,250
"but soon,
and for the rest of your life."
1336
01:17:49,333 --> 01:17:53,791
“Louis, I think
It's the beginning of a beautiful friendship."
1337
01:17:55,583 --> 01:17:58,083
“Listen, my angel, I’m tired.
1338
01:17:58,166 --> 01:18:00,250
"My jaw hurts,
my ribs too.
1339
01:18:00,333 --> 01:18:01,541
"I killed a guy over there
1340
01:18:01,625 --> 01:18:04,791
"and I couldn't stop
that a kid gets killed."
1341
01:18:04,875 --> 01:18:08,291
- Stop. Do you want me dead?
- Wait. I have it.
1342
01:18:11,291 --> 01:18:13,416
“I was born when she kissed me.
1343
01:18:14,875 --> 01:18:17,083
“I died when she left me.
1344
01:18:17,750 --> 01:18:20,375
"I lived for a few weeks
when she loved me."
1345
01:18:23,458 --> 01:18:24,500
Does that suit you?
1346
01:18:28,500 --> 01:18:30,583
"I'm not particularly handsome,
1347
01:18:31,083 --> 01:18:33,000
“but I’m a great boxer.”
1348
01:18:36,291 --> 01:18:40,208
I'm not particularly handsome,
but I'm a great boxer.
1349
01:18:45,708 --> 01:18:46,666
Cut.
1350
01:18:47,666 --> 01:18:48,750
Cut.
1351
01:18:48,833 --> 01:18:51,416
Click-clack, click-clack.
1352
01:18:51,500 --> 01:18:53,000
- Raoul.
- Hmm?
1353
01:18:53,083 --> 01:18:55,250
Do you think it will be okay in the editing?
1354
01:18:58,250 --> 01:19:00,500
Fortunately,
the camera loves these two.
1355
01:19:01,833 --> 01:19:03,500
Try that again.
1356
01:19:07,833 --> 01:19:11,833
"Between sorrow and nothingness,
I choose sorrow.”
1357
01:19:12,666 --> 01:19:15,333
And what would you choose?
1358
01:19:16,291 --> 01:19:17,666
Show your toes.
1359
01:19:18,625 --> 01:19:21,458
It's very important in a woman.
Don't laugh.
1360
01:19:22,583 --> 01:19:24,208
What would you choose?
1361
01:19:25,625 --> 01:19:27,125
Grief is stupid.
1362
01:19:27,791 --> 01:19:29,125
I choose nothingness.
1363
01:19:50,125 --> 01:19:52,708
Jean, I can't find
the sentence you said.
1364
01:19:52,791 --> 01:19:53,916
Did you invent it?
1365
01:19:54,416 --> 01:19:55,583
Who knows?
1366
01:19:55,666 --> 01:19:57,208
Continue reading.
1367
01:19:57,291 --> 01:19:58,875
End of day.
1368
01:19:59,500 --> 01:20:02,125
Oh, that really smells like a guy on the run.
1369
01:20:02,208 --> 01:20:04,958
- Give it, I'll wash it.
- No, leave that.
1370
01:20:06,208 --> 01:20:08,958
But I assure you,
it will remain all wrinkled.
1371
01:20:09,041 --> 01:20:11,375
I guess
that I'm going to go home naked.
1372
01:20:11,875 --> 01:20:14,083
- Put on my bathrobe.
- Oh, thank you.
1373
01:20:14,583 --> 01:20:17,000
Make this movie
is so un-Hollywood
1374
01:20:17,083 --> 01:20:19,791
that I became
completely shameless.
1375
01:20:19,875 --> 01:20:22,750
- I wouldn't say "completely".
- Okay.
1376
01:20:22,833 --> 01:20:25,916
But I almost feel
to make an amateur film
1377
01:20:26,000 --> 01:20:29,750
and you are one of the freest actors
with whom I worked.
1378
01:20:29,833 --> 01:20:31,250
“One of”?
1379
01:20:31,333 --> 01:20:34,250
But who is freer than me?
1380
01:20:34,791 --> 01:20:37,333
No one is freer than me.
1381
01:20:37,416 --> 01:20:39,333
Hmm ?
1382
01:20:41,125 --> 01:20:42,166
-Hello.
- Hi.
1383
01:20:42,250 --> 01:20:43,250
- Hello.
- Are you okay?
1384
01:20:43,875 --> 01:20:44,833
How are you.
1385
01:20:45,833 --> 01:20:46,708
Phuong.
1386
01:20:47,208 --> 01:20:48,208
Good morning.
1387
01:20:48,291 --> 01:20:49,583
Jean-Luc.
1388
01:20:51,166 --> 01:20:52,750
Ah, yeah. Thanks.
1389
01:20:52,833 --> 01:20:55,291
- Bye. See you tomorrow.
- Bye.
1390
01:20:55,375 --> 01:20:57,166
{\an8}What?
1391
01:20:57,250 --> 01:20:58,541
{\an8}As usual,
1392
01:20:58,625 --> 01:21:01,583
I could stay on one of you
even when the other is speaking.
1393
01:21:01,666 --> 01:21:03,083
Oh, oh!
1394
01:21:04,041 --> 01:21:07,625
We could flip a coin,
to know which side I stay on.
1395
01:21:07,708 --> 01:21:09,041
I throw it in the air.
1396
01:21:09,125 --> 01:21:11,250
I can do this now or during editing.
1397
01:21:11,333 --> 01:21:14,458
- Might as well flip a coin now.
- You're right.
1398
01:21:16,208 --> 01:21:17,833
- Stack.
- No need.
1399
01:21:17,916 --> 01:21:19,333
I know you will win.
1400
01:21:33,708 --> 01:21:35,041
The hardest.
1401
01:21:38,833 --> 01:21:41,041
Nevermind. Back.
1402
01:21:55,041 --> 01:21:56,375
- Hey !
- THANKS.
1403
01:21:56,458 --> 01:22:01,041
What's going on here?
It's already 11 a.m.! What are you waiting for?
1404
01:22:03,250 --> 01:22:06,791
Art and crime
need leisure activities to flourish.
1405
01:22:06,875 --> 01:22:10,625
-And I have a terrible toothache.
- So, let's go to the dentist.
1406
01:22:10,708 --> 01:22:12,625
I know exactly where to take you.
1407
01:22:12,708 --> 01:22:15,416
And I wouldn't say
that this specialist is painless.
1408
01:22:15,500 --> 01:22:19,208
But I warn you, eh,
I only go there for the laughing gas.
1409
01:22:19,291 --> 01:22:20,875
We're going to have a good laugh. Come on.
1410
01:22:22,166 --> 01:22:25,375
My agent keeps saying
that we will never work again.
1411
01:22:26,291 --> 01:22:28,375
Another unusual parenthesis
1412
01:22:28,875 --> 01:22:31,583
in a life
full of unusual parentheses.
1413
01:22:32,083 --> 01:22:34,250
- Well, your husband has just arrived.
- Hmm?
1414
01:22:35,916 --> 01:22:39,333
That's what I said,
another unusual parenthesis.
1415
01:22:39,416 --> 01:22:40,458
Good morning.
1416
01:22:40,541 --> 01:22:41,958
- How are you, darling?
- Hi.
1417
01:22:43,875 --> 01:22:46,875
{\an8}Even if you don't want to
show me the pages,
1418
01:22:46,958 --> 01:22:48,083
{\an8}give them to Rissient.
1419
01:22:48,750 --> 01:22:51,875
Or you don't have any pages yet,
after these days of rest?
1420
01:22:53,625 --> 01:22:54,833
Three things.
1421
01:22:55,833 --> 01:22:57,291
I didn't write anything.
1422
01:22:57,375 --> 01:23:00,458
Even if I had something,
I won't show you anything.
1423
01:23:00,541 --> 01:23:02,541
And I don't take days off.
1424
01:23:13,375 --> 01:23:14,375
Oh.
1425
01:23:15,208 --> 01:23:16,958
You are very, very beautiful.
1426
01:23:17,833 --> 01:23:18,833
But
1427
01:23:19,916 --> 01:23:24,083
your character
should powder your face.
1428
01:23:25,041 --> 01:23:27,750
Jean-Luc,
how are you going to keep the diary?
1429
01:23:29,875 --> 01:23:30,875
Oh.
1430
01:23:32,875 --> 01:23:34,916
This would be a perfect role for François.
1431
01:23:35,000 --> 01:23:37,833
- He didn't want to know anything.
- We should have had Chabrol.
1432
01:23:40,291 --> 01:23:42,000
- Rissient!
- Yes ?
1433
01:23:43,083 --> 01:23:44,708
- Where is my pipe?
- The pipe?
1434
01:23:44,791 --> 01:23:46,916
I'll get her right away.
1435
01:23:49,416 --> 01:23:50,625
It's running.
1436
01:23:53,583 --> 01:23:54,833
France-Soir.
1437
01:23:54,916 --> 01:23:56,625
France-Soir, please.
1438
01:23:56,708 --> 01:23:58,583
Hello Sir. 25 francs.
1439
01:23:59,291 --> 01:24:00,416
Thank you very much.
1440
01:24:23,833 --> 01:24:25,916
- Cut.
- Cut.
1441
01:24:26,000 --> 01:24:27,458
- Do you want to do it again?
- No.
1442
01:24:27,958 --> 01:24:29,250
Jeans ? Jeans ?
1443
01:24:30,041 --> 01:24:31,291
We'll do it again.
1444
01:24:31,833 --> 01:24:34,583
Cinema is a revolutionary art.
1445
01:24:34,666 --> 01:24:36,583
- How are you.
- Only the essential gestures!
1446
01:24:38,000 --> 01:24:41,208
Life is short, but art is long.
1447
01:24:42,416 --> 01:24:46,583
We're going to do it a few more times,
until you forget
1448
01:24:46,666 --> 01:24:50,000
what you imagined all by yourself,
in your corner.
1449
01:24:50,875 --> 01:24:53,000
Engine, Raoul!
1450
01:24:53,083 --> 01:24:56,166
- Engine !
- Engine, Raoul!
1451
01:25:03,708 --> 01:25:06,041
I've got my eye on you. Watch out for the car.
1452
01:25:06,125 --> 01:25:08,250
I had a hard time
to bring it back from the United States.
1453
01:25:08,333 --> 01:25:10,291
The paint cannot be found in France.
1454
01:25:10,375 --> 01:25:13,000
Don't worry, if we scratch it,
1455
01:25:13,083 --> 01:25:14,666
we will repaint it pink.
1456
01:25:14,750 --> 01:25:17,791
- I love your humor, Jean-Luc.
- Come on, roll, my hen!
1457
01:25:17,875 --> 01:25:19,125
Let's go!
1458
01:25:23,708 --> 01:25:26,125
Oh, Mr. Bénazéraf, thank you very much.
1459
01:25:32,041 --> 01:25:34,041
Jean-Pierre, thank you very much for being here.
1460
01:25:34,125 --> 01:25:36,250
Join me discreetly,
I have to talk to you.
1461
01:25:42,125 --> 01:25:44,958
So it suits you,
if I start this story?
1462
01:25:45,041 --> 01:25:46,333
- The one in the garage?
- Yes.
1463
01:25:46,416 --> 01:25:47,416
Yes.
1464
01:25:49,333 --> 01:25:52,291
Besides, I think it would be good
that you also say
1465
01:25:52,375 --> 01:25:54,958
that I stole money
at my father's clinic.
1466
01:25:55,041 --> 01:25:57,625
All right. Oh yeah, fantastic.
It's even better.
1467
01:25:58,541 --> 01:26:01,750
She's actually my grandmother.
that I flew regularly.
1468
01:26:01,833 --> 01:26:05,041
She had an apartment in Paris
with a large library
1469
01:26:05,125 --> 01:26:06,833
full of original editions.
1470
01:26:07,416 --> 01:26:10,291
So I sold a few
for money.
1471
01:26:10,375 --> 01:26:14,000
But better to say
that I was stealing from my father's clinic.
1472
01:26:14,666 --> 01:26:17,833
It's much crueler,
to steal from a respectable doctor.
1473
01:26:19,166 --> 01:26:21,166
- Jean-Luc?
- Yes ?
1474
01:26:21,250 --> 01:26:23,416
I had to interview Rossellini.
1475
01:26:23,500 --> 01:26:27,375
That's what we said.
That's what you promised me.
1476
01:26:27,458 --> 01:26:29,208
- François.
- Tell me.
1477
01:26:29,291 --> 01:26:31,958
I would like you to play
a press photographer.
1478
01:26:32,041 --> 01:26:35,208
- My pleasure.
- Go see Rissient, I talked to him about it.
1479
01:26:36,375 --> 01:26:39,708
- No Rossellini?
- Ask the movie gods.
1480
01:26:39,791 --> 01:26:42,458
Oh... That's what I thought I was doing!
1481
01:26:44,791 --> 01:26:46,916
Besides, Melville will be even better.
1482
01:26:51,041 --> 01:26:53,041
You know, I too want to direct.
1483
01:26:53,541 --> 01:26:55,333
This is one of my great ambitions.
1484
01:26:55,833 --> 01:26:57,416
Probably the biggest.
1485
01:26:57,500 --> 01:26:58,625
Probably ?
1486
01:26:59,291 --> 01:27:02,083
It must be in the family.
William Wyler is a cousin.
1487
01:27:02,958 --> 01:27:04,666
First or distant cousin?
1488
01:27:04,750 --> 01:27:06,750
I am adapting a short story
by Françoise Sagan.
1489
01:27:06,833 --> 01:27:09,041
I still prefer
play the intermediary.
1490
01:27:11,541 --> 01:27:13,416
Okay. Okay, everyone, we're ready.
1491
01:27:15,125 --> 01:27:18,250
Okay, actors. Jean-Pierre, Jean!
1492
01:27:18,333 --> 01:27:19,791
- Yes.
- Come on.
1493
01:27:27,750 --> 01:27:30,500
So we shoot this
like a real interview?
1494
01:27:30,583 --> 01:27:33,083
Precisely.
You respond to whoever you want.
1495
01:27:33,166 --> 01:27:36,125
I can talk about women
or whatever I want?
1496
01:27:36,208 --> 01:27:40,291
Only if it's this funny and brilliant
that you actually are.
1497
01:27:40,833 --> 01:27:41,750
And Patricia...
1498
01:27:41,833 --> 01:27:44,000
- Yes?
- I'll give you your questions.
1499
01:27:44,083 --> 01:27:45,166
How ?
1500
01:27:45,666 --> 01:27:47,916
He can say whatever he wants,
1501
01:27:48,000 --> 01:27:50,083
but am I being dictated to by my lines?
1502
01:27:51,041 --> 01:27:52,750
You still don't understand?
1503
01:27:53,583 --> 01:27:54,541
No.
1504
01:27:54,625 --> 01:27:56,208
You're playing me.
1505
01:27:57,583 --> 01:27:59,791
- Jean-Luc, who should we start with?
-Melville.
1506
01:28:04,166 --> 01:28:07,041
{\an8}And then, just before shooting,
1507
01:28:07,666 --> 01:28:09,166
one of the cops says:
1508
01:28:10,000 --> 01:28:12,916
-"Quickly, into the spine."
- Oh no!
1509
01:28:13,541 --> 01:28:14,791
You can't wear that.
1510
01:28:16,791 --> 01:28:19,791
-"Quickly, into the spine!"
- Please. No.
1511
01:28:19,875 --> 01:28:21,416
Not a single take like that.
1512
01:28:22,708 --> 01:28:25,750
- I don't even think he should die.
- Hmm.
1513
01:28:30,625 --> 01:28:33,791
The same street
frequented by Kiki, Man Ray,
1514
01:28:33,875 --> 01:28:36,708
Marcel Duchamp, Francis Picabia.
1515
01:28:36,791 --> 01:28:38,125
The story gets richer.
1516
01:28:41,166 --> 01:28:43,750
Hmm. I really like this decor.
1517
01:28:43,833 --> 01:28:47,041
Watch the dialogue
that I concocted for you for the stage.
1518
01:28:47,708 --> 01:28:50,125
You didn't sprain yourself, did you?
1519
01:28:52,375 --> 01:28:53,375
Blood?
1520
01:28:53,875 --> 01:28:55,500
No blood, just red.
1521
01:28:55,583 --> 01:28:57,833
- An open wound?
- No. Just red.
1522
01:28:58,666 --> 01:29:01,833
Almost finished, almost finished.
1523
01:29:02,833 --> 01:29:04,375
Engine, Raoul.
1524
01:29:05,041 --> 01:29:07,458
It's working, Jean-Luc.
1525
01:29:07,541 --> 01:29:08,666
Come on !
1526
01:29:22,125 --> 01:29:23,083
Cut.
1527
01:29:23,625 --> 01:29:26,125
- You're too slow there.
- It's cut.
1528
01:29:26,208 --> 01:29:28,041
Get out of the car faster.
1529
01:29:28,125 --> 01:29:30,291
Looks like you don't want to kill him.
1530
01:29:33,333 --> 01:29:34,625
It's running.
1531
01:29:38,125 --> 01:29:39,833
Quickly, into the spine!
1532
01:29:42,166 --> 01:29:43,041
- Cut.
- Failed.
1533
01:29:43,125 --> 01:29:44,125
It's cut.
1534
01:29:44,208 --> 01:29:45,625
Completely off the mark, eh.
1535
01:29:45,708 --> 01:29:47,375
I survive. Thanks, guys.
1536
01:29:47,458 --> 01:29:49,750
Poiccard will never die.
1537
01:29:50,291 --> 01:29:52,666
Let's do one again without the dialogue
for Truffaut.
1538
01:29:52,750 --> 01:29:53,666
In place.
1539
01:29:58,541 --> 01:29:59,916
It's your death, Poiccard.
1540
01:30:00,416 --> 01:30:01,291
Ready ?
1541
01:30:01,791 --> 01:30:03,083
It's time to die.
1542
01:30:04,791 --> 01:30:06,000
And it will be
1543
01:30:06,541 --> 01:30:07,833
on this zebra crossing.
1544
01:30:12,041 --> 01:30:16,458
Destiny and death
are the favorite themes of cinema.
1545
01:30:21,250 --> 01:30:23,250
Engine, Raoul!
1546
01:30:24,875 --> 01:30:26,708
That's good, catch him slowly.
1547
01:30:31,791 --> 01:30:35,625
- Need to finish closer.
- Don't worry, it's for a movie.
1548
01:30:36,291 --> 01:30:38,500
Look at me, don't look at the camera.
1549
01:30:40,583 --> 01:30:42,791
Everything is fine, everything is fine.
1550
01:30:45,750 --> 01:30:48,583
- Be careful of jerks.
- Everything is fine, ma'am.
1551
01:30:52,458 --> 01:30:55,250
Keep going, keep going, keep going...
1552
01:30:55,750 --> 01:30:56,875
Stop.
1553
01:30:57,666 --> 01:30:59,166
- Cut.
- It's cut.
1554
01:30:59,250 --> 01:31:01,041
- Are you okay, Jean-Paul?
- How are you.
1555
01:31:01,125 --> 01:31:02,041
Well done.
1556
01:31:02,541 --> 01:31:04,916
- Okay, let's move on.
- Very beautiful death.
1557
01:31:05,000 --> 01:31:06,208
A little faster.
1558
01:31:07,291 --> 01:31:09,750
Don't slow down! You run.
1559
01:31:11,458 --> 01:31:13,541
Until you run out of breath.
1560
01:31:14,208 --> 01:31:15,416
I am!
1561
01:31:17,083 --> 01:31:19,958
Very good. A little bit faster.
1562
01:31:21,250 --> 01:31:22,083
Course !
1563
01:31:22,166 --> 01:31:24,375
- Raoul, engine.
- Yeah.
1564
01:31:25,583 --> 01:31:26,791
- Ready ?
- It's running.
1565
01:31:26,875 --> 01:31:27,833
Come on.
1566
01:31:34,041 --> 01:31:35,958
- What is it?
- Wait.
1567
01:31:36,041 --> 01:31:37,791
- Oh, is it a movie?
- Yes, thank you.
1568
01:31:37,875 --> 01:31:39,875
Pierre, tell people to back off a little.
1569
01:31:39,958 --> 01:31:42,166
- Right away, Raoul.
- No, Peter.
1570
01:31:42,250 --> 01:31:45,500
Let's leave them.
It's normal that they are there.
1571
01:31:45,583 --> 01:31:47,583
- That's very good.
- Very good, Jean-Luc.
1572
01:31:52,000 --> 01:31:52,916
Cut !
1573
01:31:54,458 --> 01:31:55,875
Wait !
1574
01:31:55,958 --> 01:31:57,333
A chair. Pardon.
1575
01:32:00,458 --> 01:32:01,458
GOOD.
1576
01:32:02,791 --> 01:32:07,125
Let's try to make the saddest plan
of the history of cinema.
1577
01:32:08,583 --> 01:32:10,458
Tied with Bergman
1578
01:32:10,958 --> 01:32:13,583
who makes a superb shot in Monika.
1579
01:32:19,083 --> 01:32:20,083
It's running.
1580
01:32:22,416 --> 01:32:25,500
Every thought
should remind of the ruin of a smile.
1581
01:32:28,125 --> 01:32:29,333
Patricia.
1582
01:32:30,500 --> 01:32:31,958
Take his wallet.
1583
01:32:33,208 --> 01:32:34,666
N... No. No.
1584
01:32:35,750 --> 01:32:37,708
You're the thief, not me.
1585
01:32:37,791 --> 01:32:39,791
I know you would do that,
1586
01:32:39,875 --> 01:32:40,958
but she doesn't.
1587
01:32:41,041 --> 01:32:43,750
But Franchini,
everything that is there could be useful to you.
1588
01:32:43,833 --> 01:32:47,541
- You don't want the cops to catch him?
- No. I don't do that.
1589
01:32:48,333 --> 01:32:51,750
Come on. Just a sleight of hand.
As if you were giving him a word.
1590
01:32:54,291 --> 01:32:55,750
This doesn't seem right to me.
1591
01:32:55,833 --> 01:32:58,291
But purity
is not of this world, Patricia.
1592
01:32:58,375 --> 01:33:02,416
No ! I denounced him,
I'm not going to steal it. I don't do that.
1593
01:33:02,500 --> 01:33:03,875
- Cut.
- Cut.
1594
01:33:03,958 --> 01:33:07,875
We control our thoughts
which don't mean anything.
1595
01:33:08,500 --> 01:33:10,708
But not our emotions,
which mean everything.
1596
01:33:10,791 --> 01:33:13,333
When will this fucking movie be finished?
1597
01:33:14,125 --> 01:33:15,125
Good.
1598
01:33:22,833 --> 01:33:23,833
It's running.
1599
01:33:25,458 --> 01:33:29,333
If... If you don't steal his wallet,
1600
01:33:29,833 --> 01:33:31,416
give me something.
1601
01:33:31,500 --> 01:33:33,125
Make me a Bogart.
1602
01:33:33,208 --> 01:33:34,666
At least give me that.
1603
01:33:38,583 --> 01:33:41,208
What is “disgusting”?
1604
01:33:55,041 --> 01:33:56,250
- Cut.
- Cut.
1605
01:33:56,333 --> 01:33:57,333
Is that okay with you, Jean-Luc?
1606
01:33:59,708 --> 01:34:02,166
End of filming for Jean!
1607
01:34:02,250 --> 01:34:03,833
We succeeded, my dear.
1608
01:34:05,958 --> 01:34:08,500
Well done.
1609
01:34:09,458 --> 01:34:10,666
Well done.
1610
01:34:12,375 --> 01:34:14,000
Hmm...
1611
01:34:14,958 --> 01:34:16,708
What she did was incredible.
1612
01:34:23,791 --> 01:34:26,750
Do you think that's it?
that Godard was looking for from the beginning?
1613
01:34:26,833 --> 01:34:30,375
Are you kidding?
Do you think he had a plan?
1614
01:34:30,458 --> 01:34:32,833
“Not our emotions, which mean everything!
1615
01:34:32,916 --> 01:34:36,125
“Come on, Patricia! Come on, give me that.”
1616
01:34:36,208 --> 01:34:38,291
It was horrible!
1617
01:34:41,500 --> 01:34:44,958
It's over. Move on. Huh?
1618
01:34:45,916 --> 01:34:48,666
You have The Curious Fate of Nicky Romano
in a week.
1619
01:34:49,916 --> 01:34:52,000
Think about that. Hollywood.
1620
01:34:53,083 --> 01:34:54,583
America.
1621
01:34:56,375 --> 01:35:00,708
All the love I have for you
Is burning like fire
1622
01:35:01,541 --> 01:35:04,291
It's big and full of shine
1623
01:35:04,375 --> 01:35:07,333
It's so good to be happy
1624
01:35:09,833 --> 01:35:12,333
Okay, then, Hans Lucas,
1625
01:35:12,416 --> 01:35:13,958
where do we start?
1626
01:35:14,041 --> 01:35:15,750
By a close-up of that.
1627
01:35:15,833 --> 01:35:17,625
- Very good.
- A very close-up.
1628
01:35:17,708 --> 01:35:20,208
Oh yes ! It will be
the very first image of the film?
1629
01:35:20,291 --> 01:35:21,291
Maybe.
1630
01:35:22,625 --> 01:35:23,750
Maybe not.
1631
01:35:24,416 --> 01:35:26,250
- I like it.
- I adore.
1632
01:35:27,166 --> 01:35:30,416
After all,
you have to start somewhere.
1633
01:35:33,416 --> 01:35:36,375
And now let's go make a killing.
1634
01:35:36,916 --> 01:35:38,541
Well, so to speak.
1635
01:35:38,625 --> 01:35:41,083
Artists and criminals,
it's the same.
1636
01:35:41,166 --> 01:35:42,375
They want to surprise.
1637
01:35:43,208 --> 01:35:45,500
This police officer
must not see anything coming.
1638
01:35:47,750 --> 01:35:50,375
Trust me, he won't see anything.
1639
01:35:52,000 --> 01:35:55,916
As soon as you take the bullet,
you let gravity do the rest.
1640
01:35:56,000 --> 01:35:58,125
- All right.
- So.
1641
01:35:59,666 --> 01:36:01,083
And then, afterwards, you can...
1642
01:36:02,291 --> 01:36:03,291
This way.
1643
01:36:05,416 --> 01:36:06,833
- It's good ?
- Yeah, okay.
1644
01:36:08,208 --> 01:36:09,666
There you go,
1645
01:36:09,750 --> 01:36:12,083
hold each other by the shoulders,
extend your arms.
1646
01:36:12,166 --> 01:36:13,083
So.
1647
01:36:13,625 --> 01:36:15,333
That's it, exactly.
1648
01:36:15,416 --> 01:36:16,416
Good.
1649
01:36:17,666 --> 01:36:19,916
Be careful, the little bird will fly away.
1650
01:36:20,416 --> 01:36:22,291
Cinema is...
1651
01:36:22,375 --> 01:36:24,375
Disgusting!
1652
01:36:31,166 --> 01:36:33,583
Jean-Luc, do you want to take a look?
1653
01:36:33,666 --> 01:36:34,666
No.
1654
01:36:35,750 --> 01:36:37,958
Last shot of the film,
I should know.
1655
01:36:41,458 --> 01:36:44,041
- Engine, Raoul.
- Things are going well, Jean-Luc.
1656
01:36:44,958 --> 01:36:46,458
Come on, run!
1657
01:36:56,833 --> 01:36:59,375
- Do you think we have it?
- Yes. Impeccable.
1658
01:36:59,458 --> 01:37:01,208
- Cut, then.
- It's cut.
1659
01:37:01,291 --> 01:37:02,875
Anyway, we're done.
1660
01:37:03,541 --> 01:37:06,416
Leonardo da Vinci
said it better than anyone.
1661
01:37:07,458 --> 01:37:09,750
"Art is never finished,
1662
01:37:10,541 --> 01:37:11,791
“only abandoned.”
1663
01:37:12,291 --> 01:37:13,916
And that’s the end of filming.
1664
01:37:15,291 --> 01:37:16,708
Don't stop running!
1665
01:37:16,791 --> 01:37:19,041
See you in Paris!
1666
01:37:19,916 --> 01:37:21,333
And not that way!
1667
01:37:21,416 --> 01:37:24,208
Paris! It’s over here!
1668
01:37:24,833 --> 01:37:27,125
Forget Paris, I'm going to Roma!
1669
01:37:30,666 --> 01:37:32,750
- Thank you, Coutard.
- You're welcome, Godard.
1670
01:37:48,458 --> 01:37:50,000
Cécile, Lila.
1671
01:37:50,833 --> 01:37:54,541
I hope you are ready,
because I love editing.
1672
01:37:54,625 --> 01:38:00,791
This is where we have the past,
the present and the future in his hands.
1673
01:38:00,875 --> 01:38:03,541
It's time to prune
anything that lacks punch.
1674
01:38:03,625 --> 01:38:06,666
- Which scene do you want to cut first?
- None.
1675
01:38:06,750 --> 01:38:08,875
We cut inside the scenes.
1676
01:38:09,916 --> 01:38:13,583
- We could at least cut Van Doude.
- No. Find something else.
1677
01:38:13,666 --> 01:38:16,291
Seberg's close-ups,
that's a quarter of the rushes.
1678
01:38:16,375 --> 01:38:17,625
But they are essential.
1679
01:38:18,250 --> 01:38:21,083
The scene with Melville is very long.
Do we need it?
1680
01:38:21,166 --> 01:38:23,291
Neither more nor less than everything else.
1681
01:38:24,000 --> 01:38:26,750
Every scene remains,
but only the highlights.
1682
01:38:26,833 --> 01:38:27,875
My highlights.
1683
01:38:28,416 --> 01:38:30,333
We will take each sequence
1684
01:38:30,416 --> 01:38:34,166
and cut everything that can be cut
to impose a new rhythm.
1685
01:38:34,250 --> 01:38:37,916
- In every scene?
- Yes. This is what will give life.
1686
01:38:38,000 --> 01:38:40,833
Here, take the stage
with Poiccard in the automobile industry.
1687
01:38:40,916 --> 01:38:43,708
We keep all the moments
where he overtakes the cars
1688
01:38:43,791 --> 01:38:45,583
and we put it all together.
1689
01:38:45,666 --> 01:38:48,291
Just like Poiccard,
the film is eager to move forward.
1690
01:38:48,375 --> 01:38:50,875
But it will be choppy. Abrupt.
1691
01:38:50,958 --> 01:38:52,458
It will be great.
1692
01:38:52,541 --> 01:38:55,291
It will be disjointed, it will jump all over the place.
1693
01:38:55,375 --> 01:38:58,083
Absolutely. Let's blow it all up.
1694
01:38:59,083 --> 01:39:01,833
If the public accepted the frame breaks
1695
01:39:01,916 --> 01:39:06,166
by Méliès, Eisenstein and Jean Rouch,
he will accept ours.
1696
01:39:06,250 --> 01:39:07,083
Maybe not.
1697
01:39:07,166 --> 01:39:09,083
He will accept our new truth.
1698
01:39:10,791 --> 01:39:11,791
Lila.
1699
01:39:13,291 --> 01:39:14,416
And let it jump!
1700
01:39:16,250 --> 01:39:18,708
It seems that there are wonderful things
in your film.
1701
01:39:19,583 --> 01:39:23,125
But contractually, it cannot
last more than an hour and a half.
1702
01:39:23,625 --> 01:39:24,958
Ninety minutes.
1703
01:39:25,583 --> 01:39:28,125
Oh. That's what it feels like,
an hour and a half?
1704
01:39:30,375 --> 01:39:33,458
Don't worry,
we are approaching 90 minutes.
1705
01:39:36,250 --> 01:39:39,250
We lived moments
trying and difficult, you and me.
1706
01:39:40,000 --> 01:39:42,125
It will be necessary
get something out of it.
1707
01:39:45,708 --> 01:39:49,708
I don't know if I should cuddle you
or if I have to manipulate you,
1708
01:39:50,208 --> 01:39:52,625
threaten you, speak frankly to you, I...
1709
01:39:55,458 --> 01:39:59,541
I couldn't conceive
to make a film with a producer
1710
01:40:00,083 --> 01:40:01,833
who wouldn't also be a friend.
1711
01:40:20,791 --> 01:40:22,708
It’s really disgusting.
1712
01:40:26,250 --> 01:40:27,791
What did he say?
1713
01:40:27,875 --> 01:40:30,625
He said:
“You are truly disgusting.”
1714
01:40:36,125 --> 01:40:38,916
What is “disgusting”?
1715
01:41:00,208 --> 01:41:01,791
There has never been a film like this.
1716
01:41:03,541 --> 01:41:06,541
Congratulations, Jean-Luc.
The world is not ready for such...
1717
01:41:06,625 --> 01:41:08,208
Be careful, Beau-Beau!
1718
01:41:08,291 --> 01:41:09,583
...disgusting movie.
1719
01:41:10,916 --> 01:41:11,958
SO ?
1720
01:41:12,583 --> 01:41:15,291
It's a bit disgusting
or very disgusting?
1721
01:41:15,375 --> 01:41:17,000
It's the worst movie of the year.
1722
01:41:17,083 --> 01:41:19,041
- He will never come out.
- I slept.
1723
01:41:19,125 --> 01:41:21,708
Fortunately,
you are helping me spread these rumors.
1724
01:41:21,791 --> 01:41:23,291
All civilization is mortal.
1725
01:41:23,375 --> 01:41:25,208
- It's not Citizen Kane.
- Far from it.
1726
01:41:25,291 --> 01:41:27,583
Definitely the worst film of the year.
1727
01:41:27,666 --> 01:41:28,958
They're going to hate it.
1728
01:42:51,708 --> 01:42:54,375
New Wave
1729
01:42:54,458 --> 01:42:58,041
New Wave
1730
01:42:58,125 --> 01:43:01,333
A little MG, three friends
1731
01:43:01,416 --> 01:43:04,166
Sitting in the car
Under a street light
1732
01:43:05,083 --> 01:43:08,166
A leg or two
Over the door
1733
01:43:08,250 --> 01:43:10,875
The New Wave
1734
01:43:11,875 --> 01:43:13,750
New Wave
1735
01:43:15,458 --> 01:43:18,750
Three cuties approach
Very well balanced
1736
01:43:18,833 --> 01:43:22,291
They sing a song
By Elvis Presley
1737
01:43:22,375 --> 01:43:25,250
Here are our three grandfathers
Suddenly wide awake
1738
01:43:25,333 --> 01:43:27,875
By this New Wave
1739
01:43:30,416 --> 01:43:33,000
Hmm, not bad! Not bad at all
1740
01:43:33,083 --> 01:43:34,666
Oh, that’s quite a move
1741
01:43:34,750 --> 01:43:36,625
Come on, let’s buy them a Coke
1742
01:43:36,708 --> 01:43:38,583
Hmm, I want the tall blonde
1743
01:43:38,666 --> 01:43:41,125
Hmm, I'll take the small round
1744
01:43:41,208 --> 01:43:43,916
Hey, guys, don't forget me
1745
01:43:44,000 --> 01:43:46,541
New Wave
1746
01:43:47,375 --> 01:43:49,708
New Wave
1747
01:43:50,958 --> 01:43:54,208
You don't need much
To get to know
1748
01:43:54,291 --> 01:43:57,250
We drink, we chat, we laugh, we dance
1749
01:43:57,875 --> 01:44:00,791
But we must keep this independence
1750
01:44:00,875 --> 01:44:03,916
New Wave
1751
01:44:05,333 --> 01:44:07,541
New Wave
1752
01:44:22,375 --> 01:44:24,583
New Wave
1753
01:44:25,833 --> 01:44:28,041
New Wave
1754
01:44:29,458 --> 01:44:32,458
A little MG, three friends
1755
01:44:32,541 --> 01:44:35,916
Sitting in their car
Under a street light
1756
01:44:36,000 --> 01:44:39,708
Read their duck with a very proud air
1757
01:44:39,791 --> 01:44:42,250
New Wave
1758
01:44:43,333 --> 01:44:45,625
New Wave
1759
01:44:46,125 --> 01:44:49,958
And in this duck
What do we read there?
1760
01:44:50,041 --> 01:44:53,375
Heaps of written stories
By stale people
1761
01:44:53,458 --> 01:44:56,458
Slashing with claws in spite
1762
01:44:56,541 --> 01:44:59,250
On the New Wave
1763
01:45:00,416 --> 01:45:03,041
New Wave
1764
01:45:04,166 --> 01:45:06,375
New Wave
1765
01:45:07,791 --> 01:45:11,291
News...
1766
01:45:11,375 --> 01:45:16,500
Wave